ֱ̽ of Cambridge - filmmaker-in-residence /taxonomy/subjects/filmmaker-in-residence en ‘ ֱ̽greatest director in the world right now’ begins residency at Centre for Film and Screen /research/news/the-greatest-director-in-the-world-right-now-begins-residency-at-centre-for-film-and-screen <div class="field field-name-field-news-image field-type-image field-label-hidden"><div class="field-items"><div class="field-item even"><img class="cam-scale-with-grid" src="/sites/default/files/styles/content-580x288/public/news/news/zam.jpg?itok=SJRxQqIh" alt="" title="Credit: None" /></div></div></div><div class="field field-name-body field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even"><p>Lucrecia Martel comes to the Centre as this year’s Filmmaker in Residence from 5-20 May, following in the footsteps of Gianfranco Rosi (2017) and Joanna Hogg (2016).</p> <p>A retrospective of her feature films — the first to be held in the UK—has been jointly organised between the Centre for Film and Screen and the Arts Picturehouse. Martel will be present following each screening for conversation and Q&amp;A. </p> <p>Martel, who lives and works in Argentina, is one of international cinema’s major stylists. Her provocative films treat questions of family, childhood, sexuality, belonging, nation, class, historical memory, and colonialism. In a cinema that is both sensually immersive and politically attuned, Martel looks at the world in a way that acknowledges mystery and prompts criticism.</p> <p>Dr John David Rhodes, Director of the Centre for Film and Screen said: “ ֱ̽residencies offer our students, staff and our community both inside and outside the ֱ̽ the opportunity to engage with serious filmmakers of the highest order, all of them crucially important figures in the unfolding history of contemporary cinema.</p> <p>“ ֱ̽residencies also offer the filmmakers the opportunity to develop and reconsider their practices in the context of the vibrant scholarly and intellectual ecology that is unique to Cambridge.”</p> <p>Described by Vogue as ‘the greatest director in the world right now’, Martel is the director of four acclaimed films and a number of award-winning shorts. After almost a decade after her last full-length feature film, Martel returned as director of the critically-lauded <em>Zama</em> in 2017.</p> <p>Based on the 1956 novel by Antonio Di Benedetto, the film is a period drama relating the story of a 17th century Spanish officer, separated from his wife and family, and awaiting a transfer from a remote area of Paraguay to Buenos Aires.</p> <p>Shining a light on colonialism and class dynamics, the film won almost universal acclaim from film critics in South America, and was chosen as Argentina’s nomination for Best Foreign Film at the 2018 Academy Awards.</p> <p>Martel will be resident at the ֱ̽’s Centre for Film and Screen for more than two weeks, during which she will be offering a sequence of seminars on her filmmaking practice.</p> <p> </p> <p><strong>Symposium</strong></p> <p>18 May, 10am-4pm, McCrum Lecture Theatre, Corpus Christi College.</p> <p>Speakers: Lucy Bollington (Cambridge), Catherine Grant (Birkbeck), Rosalind Galt (KCL), Debbie Martin (UCL). </p> <p>Full details - TBC</p> <p> </p> <p><strong>Screenings</strong></p> <p> ֱ̽screenings will all be held at the Cambridge Arts Picturehouse</p> <p>Tuesday 8 May at 6pm - <em> ֱ̽Swamp (La Ciénaga)</em></p> <p>Thursday 10 May ay 6pm - <em> ֱ̽Holy Girl (La niña santa)</em></p> <p>Tuesday 15 May at 6:30pm - <em> ֱ̽Headless Woman (La mujer sin cabeza)</em></p> <p>Thursday 17 May at 6pm - <em>Zama</em></p> <p> </p> </div></div></div><div class="field field-name-field-content-summary field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even"><p><p>One of Argentina’s and Latin America’s pre-eminent filmmakers begins a 16-day residency at Cambridge’s Centre for Film and Screen from tomorrow (May 5).</p> </p></div></div></div><div class="field field-name-field-content-quote field-type-text-long field-label-hidden"><div class="field-items"><div class="field-item even">Lucrecia is a crucially important figure in the unfolding history of contemporary cinema.</div></div></div><div class="field field-name-field-content-quote-name field-type-text field-label-hidden"><div class="field-items"><div class="field-item even">John David Rhodes</div></div></div><div class="field field-name-field-cc-attribute-text field-type-text-long field-label-hidden"><div class="field-items"><div class="field-item even"><p><a href="http://creativecommons.org/licenses/by/4.0/" rel="license"><img alt="Creative Commons License" src="https://i.creativecommons.org/l/by/4.0/88x31.png" style="border-width:0" /></a><br /> ֱ̽text in this work is licensed under a <a href="http://creativecommons.org/licenses/by/4.0/" rel="license">Creative Commons Attribution 4.0 International License</a>. For image use please see separate credits above.</p> </div></div></div><div class="field field-name-field-show-cc-text field-type-list-boolean field-label-hidden"><div class="field-items"><div class="field-item even">Yes</div></div></div><div class="field field-name-field-license-type field-type-taxonomy-term-reference field-label-above"><div class="field-label">Licence type:&nbsp;</div><div class="field-items"><div class="field-item even"><a href="/taxonomy/imagecredit/attribution-noncommercial-sharealike">Attribution-Noncommercial-ShareAlike</a></div></div></div> Fri, 04 May 2018 11:55:02 +0000 sjr81 197112 at Oscar-nominated documentary filmmaker comes to Cambridge /news/oscar-nominated-documentary-filmmaker-comes-to-cambridge <div class="field field-name-field-news-image field-type-image field-label-hidden"><div class="field-items"><div class="field-item even"><img class="cam-scale-with-grid" src="/sites/default/files/styles/content-580x288/public/news/news/still1.6.1cropped.jpg?itok=Fcpkv6Zo" alt="Still from Fire at Sea, the Oscar-nominated documentary by Gianfranco Rosi" title="Still from Fire at Sea, the Oscar-nominated documentary by Gianfranco Rosi, Credit: None" /></div></div></div><div class="field field-name-body field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even"><p>Rosi’s most recent documentary, 2016’s Fire at Sea, was an uncompromising look at the everyday life of six locals on the Italian island of Lampedusa, the first port of call for the hundreds of thousands of African migrants crossing the Mediterranean in search of a better life in Europe.</p>&#13; &#13; <p>Fire at Sea won the Golden Bear award for best film at the 66th Berlin International Film Festival and was nominated for Best Documentary Feature at the 89th Academy awards in February.</p>&#13; &#13; <p>During Rosi’s two-week residency (May 14-28), the Arts Picturehouse will screen the entirety of his work to date, with each screening followed by a Q&amp;A with the director. Rosi will also connect directly with staff and students in the Centre for Film and Screen by delivering masterclasses and participating in a public symposium, Lands, Seas, Bodies: On the cinema of Gianfranco Rosi, on Wednesday, May 24.</p>&#13; &#13; <p>International recognition of Rosi soared after Meryl Streep, the jury chair of the Berlin film festival, publically endorsed Fire at Sea as “a daring hybrid of captured footage and deliberate storytelling that allows us to consider what documentary can do. It is urgent, imaginative and necessary filmmaking.”</p>&#13; &#13; <p></p>&#13; &#13; <p>Dr John David Rhodes, Director of the Centre for Film and Screen and a specialist in Italian cinema, calls Rosi’s work “indisputably among the most important in the world.”</p>&#13; &#13; <p>Audience numbers for documentaries have grown considerably in the last ten years, largely driven by audiences going in search of authenticity in the lived experience.  </p>&#13; &#13; <p>“It’s a rich moment for documentaries because they provide the ability to respond powerfully and flexibly to geo-political crises,” said Rhodes. “People are starved for contact with the real and with reality. People are trying to find ways to make contact with the world – documentary filmmaking is one way of doing that. It can produce knowledge and experiences that are otherwise closed to us.</p>&#13; &#13; <p>“Rosi’s residency offers our students and the wider ֱ̽ the opportunity to engage at close range a working filmmaker of the highest calibre. As was the case last year when we hosted Joanna Hogg (our first filmmaker-in-residence), Rosi’s residency brings to our community of film scholars and students of cinema the opportunity to think about film from the point of view of the film artist. It offers a vital opportunity to test practice and theory against each other, while getting to hang out with one of the most interesting people working in world cinema.”</p>&#13; &#13; <p>More information about the screenings and public symposium is available on the <a href="https://www.film.cam.ac.uk">Centre for Film and Screen’s website</a>.</p>&#13; &#13; <p>Tickets for the screenings including a post-film Q&amp;A can be purchased from the <a href="https://www.picturehouses.com/cinema/arts-picturehouse-cambridge">Arts Picturehouse website</a>.</p>&#13; </div></div></div><div class="field field-name-field-content-summary field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even"><p><p>Hailed as “one of the most important artists in any medium”, the award-winning and Oscar-nominated Italian documentary filmmaker Gianfranco Rosi is coming to Cambridge this month as filmmaker-in-residence at Cambridge ֱ̽’s Centre for Film and Screen.</p>&#13; </p></div></div></div><div class="field field-name-field-content-quote field-type-text-long field-label-hidden"><div class="field-items"><div class="field-item even">Rosi&#039;s work is indisputably among the most important in the world.</div></div></div><div class="field field-name-field-content-quote-name field-type-text field-label-hidden"><div class="field-items"><div class="field-item even">John David Rhodes</div></div></div><div class="field field-name-field-image-desctiprion field-type-text field-label-hidden"><div class="field-items"><div class="field-item even">Still from Fire at Sea, the Oscar-nominated documentary by Gianfranco Rosi</div></div></div><div class="field field-name-field-slideshow field-type-image field-label-hidden"><div class="field-items"><div class="field-item even"><a href="/sites/default/files/fire-at-sea-poster.jpg" title="Fire at Sea poster" class="colorbox" data-colorbox-gallery="" data-cbox-img-attrs="{&quot;title&quot;: &quot;Fire at Sea poster&quot;, &quot;alt&quot;: &quot;&quot;}"><img class="cam-scale-with-grid" src="/sites/default/files/styles/slideshow/public/fire-at-sea-poster.jpg?itok=iBIgISd4" width="590" height="288" alt="" title="Fire at Sea poster" /></a></div><div class="field-item odd"><a href="/sites/default/files/still_1.7.1.jpg" title="Stills from Fire at Sea" class="colorbox" data-colorbox-gallery="" data-cbox-img-attrs="{&quot;title&quot;: &quot;Stills from Fire at Sea&quot;, &quot;alt&quot;: &quot;&quot;}"><img class="cam-scale-with-grid" src="/sites/default/files/styles/slideshow/public/still_1.7.1.jpg?itok=v_qcV37J" width="590" height="288" alt="" title="Stills from Fire at Sea" /></a></div><div class="field-item even"><a href="/sites/default/files/still_1.1.1.jpg" title="Stills from Fire at Sea" class="colorbox" data-colorbox-gallery="" data-cbox-img-attrs="{&quot;title&quot;: &quot;Stills from Fire at Sea&quot;, &quot;alt&quot;: &quot;&quot;}"><img class="cam-scale-with-grid" src="/sites/default/files/styles/slideshow/public/still_1.1.1.jpg?itok=_nx0B8YW" width="590" height="288" alt="" title="Stills from Fire at Sea" /></a></div><div class="field-item odd"><a href="/sites/default/files/still_1.8.2.jpg" title="Stills from Fire at Sea" class="colorbox" data-colorbox-gallery="" data-cbox-img-attrs="{&quot;title&quot;: &quot;Stills from Fire at Sea&quot;, &quot;alt&quot;: &quot;&quot;}"><img class="cam-scale-with-grid" src="/sites/default/files/styles/slideshow/public/still_1.8.2.jpg?itok=NsBzcCGy" width="590" height="288" alt="" title="Stills from Fire at Sea" /></a></div><div class="field-item even"><a href="/sites/default/files/still_1.13.1.jpg" title="Stills from Fire at Sea" class="colorbox" data-colorbox-gallery="" data-cbox-img-attrs="{&quot;title&quot;: &quot;Stills from Fire at Sea&quot;, &quot;alt&quot;: &quot;&quot;}"><img class="cam-scale-with-grid" src="/sites/default/files/styles/slideshow/public/still_1.13.1.jpg?itok=KL750jbr" width="590" height="288" alt="" title="Stills from Fire at Sea" /></a></div><div class="field-item odd"><a href="/sites/default/files/still_1.10.1.jpg" title="Stills from Fire at Sea" class="colorbox" data-colorbox-gallery="" data-cbox-img-attrs="{&quot;title&quot;: &quot;Stills from Fire at Sea&quot;, &quot;alt&quot;: &quot;&quot;}"><img class="cam-scale-with-grid" src="/sites/default/files/styles/slideshow/public/still_1.10.1.jpg?itok=m9k9N-z_" width="590" height="288" alt="" title="Stills from Fire at Sea" /></a></div></div></div><div class="field field-name-field-cc-attribute-text field-type-text-long field-label-hidden"><div class="field-items"><div class="field-item even"><p><a href="http://creativecommons.org/licenses/by/4.0/" rel="license"><img alt="Creative Commons License" src="https://i.creativecommons.org/l/by/4.0/88x31.png" style="border-width:0" /></a><br />&#13; ֱ̽text in this work is licensed under a <a href="http://creativecommons.org/licenses/by/4.0/" rel="license">Creative Commons Attribution 4.0 International License</a>. For image use please see separate credits above.</p>&#13; </div></div></div><div class="field field-name-field-show-cc-text field-type-list-boolean field-label-hidden"><div class="field-items"><div class="field-item even">Yes</div></div></div><div class="field field-name-field-license-type field-type-taxonomy-term-reference field-label-above"><div class="field-label">Licence type:&nbsp;</div><div class="field-items"><div class="field-item even"><a href="/taxonomy/imagecredit/attribution-noncommercial-sharealike">Attribution-Noncommercial-ShareAlike</a></div></div></div><div class="field field-name-field-related-links field-type-link-field field-label-above"><div class="field-label">Related Links:&nbsp;</div><div class="field-items"><div class="field-item even"><a href="https://www.film.cam.ac.uk">Centre for Film and Screen</a></div><div class="field-item odd"><a href="https://www.picturehouses.com/cinema/Arts_Picturehouse_Cambridge">Cambridge Arts Picturehouse</a></div></div></div> Tue, 09 May 2017 14:51:48 +0000 sjr81 188282 at