ֱ̽ of Cambridge - Mycenae /taxonomy/subjects/mycenae en A rare discovery will shed new light on Mycenaean funerary practices /research/news/a-rare-discovery-will-shed-new-light-on-mycenaean-funerary-practices <div class="field field-name-field-news-image field-type-image field-label-hidden"><div class="field-items"><div class="field-item even"><img class="cam-scale-with-grid" src="/sites/default/files/styles/content-580x288/public/news/news/141017-prosilio-dig-cropped.jpg?itok=_54hWHez" alt="" title="Excavation of a Myceneaen tomb at Prosilio in central Greece, summer 2017, Credit: Yannis Galanakis" /></div></div></div><div class="field field-name-body field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even"><p>For the first time, archaeologists have uncovered and carefully documented an intact burial in a monumental chamber tomb of the Mycenaean palatial period, around 3,350 years ago. Research into the material uncovered has only just begun but the discovery will expand our knowledge of Mycenaean funerals – from the treatment of the body to the selection of objects placed for burial.</p> <p> ֱ̽tomb is approached by an impressive rock-cut passageway, 20 m long, which leads to a deep façade some 5.40 m in height. A doorway gives access to the burial chamber. Its area of 42 sq m makes this the ninth largest known to date out of 4,000 examples excavated in the last 150 years in Greece. ֱ̽partial collapse of the original chamber roof has helped to preserve the burial layer intact.</p> <p>“Mycenaean chamber tombs are generally found by archaeologists to have been disturbed or looted. Most contain many burials, making an association between individual people and objects very difficult or impossible,” said Dr Yannis Galanakis of Cambridge’s Faculty of Classics, co-director of the five-year Prosilio project and an expert in Aegean archaeology.</p> <p>“Finding an intact burial, let alone in a monumental tomb of the palatial period, 1370-1200 BC, makes our discovery all the more special for the knowledge we can now acquire about the tomb-using group and the practices they performed during and after the funeral.”</p> <p><img alt="" src="/sites/www.cam.ac.uk/files/inner-images/141017-prosilio-dig2-cropped_0.jpg" style="width: 250px; height: 550px; float: right;" />Once huge quantities of soil and rubble had been carefully excavated, the archaeologists found in the chamber the remains of a man, aged 40 to 50 years. He was accompanied by a selection of fine objects: jewellery made in a range of materials, combs, pins, a pair of horse bits, arrowheads, a bow, a sealstone, a signet ring, and a group of tinned clay vessels of various shapes.</p> <p>“ ֱ̽size and quality of construction of the tomb correlates well with the discovered objects, all of which speak of a man from the upper echelons of the local society,” said Galanakis.</p> <p>“Initial examination of the finds suggests a conscious selection by the tomb-using group responsible for the burial’s preparation of the objects interred with the body. ֱ̽impression we get is that the tomb was built during the man’s life. It is indeed astonishing, and a very rare instance, to be able to excavate the remains of the man for whom the tomb must have been constructed.”</p> <p>Galanakis was struck by the placement of different shapes and types of jewellery with a male burial, which challenges the commonly held assumption that jewellery in Mycenaean Greece should be chiefly associated with female burials. “It also chimes with the discovery of considerable quantities of jewellery by the ֱ̽ of Cincinnati in 2015 in the burial of the ‘griffin warrior’ at Pylos, which is older by a century than that of the man at Prosilio.”</p> <p>Striking too is the absence of painted pottery, with the exception of two painted stirrup jars, often taken to contain aromatic oils and which may be associated with the final use and closure of the tomb around 1300 BC. Painted pottery is very common in Mycenaean tombs. Its absence from the initial burial is further confirmation of the conscious choices made in the selection of objects placed alongside this man’s burial at Prosilio.</p> <p> ֱ̽Prosilio team believes that this monumental structure, known as tomb 2, is associated with ancient Orchomenos, a major centre which controlled northern Boeotia, a region of Greece. Orchomenos, which is only 3.5 km away, oversaw in the 14th and 13th centuries BC the partial drainage of Lake Kopaïs – once the largest lake in Greece – a project that yielded a sizeable area of land for agriculture.</p> <p>At its peak (1350-1250 BC), Orchomenos’s power is reflected in its most famous monument, the tholos tomb ‘of Minyas’, first excavated by Heinrich Schliemann in the 19th century and comparable only in size and refinement to the tholos tomb ‘of Atreus’ at Mycenae.</p> <p>“Despite the tholos ‘of Minyas’ and some earlier important discoveries by Greek and German teams in the area, we still know very little about ancient Orchomenos. We hope that the continuation of our project will help us understand better Orchomenos’s position in the region and learn more about its population and their practices,” said Galanakis.</p> <p>“ ֱ̽discovery this year enables us to ask questions such as why certain objects were selected for burial while others were not – and what kind of rituals were performed as part of funerary and post-funerary practices. ֱ̽finds will spark new discussions about the role of burials in Mycenaean life during the palatial period.”</p> <p> ֱ̽five-year Prosilio project is in its first year. In subsequent years, the team aims to excavate more tombs and study and publish the archaeological data collected. ֱ̽initiative is a collaboration between the Ephorate of Antiquities of Boeotia and the British School at Athens. Its directors are Dr Alexandra Charami (Director of the Ephorate of Antiquities of Boeotia) and Dr Yannis Galanakis, (Senior Lecturer in the Faculty of Classics and Director of the Museum of Classical Archaeology, ֱ̽ of Cambridge).<img alt="" src="/sites/www.cam.ac.uk/files/inner-images/141017-prosilio-dig3-cropped.jpg" style="width: 300px; height: 250px; float: right;" /></p> <p> ֱ̽Prosilio team also includes Kyriaki Kalliga, archaeologist of the Ephorate of Antiquities of Boeotia, Dr Panagiotis Karkanas, geo-archaeologist and Director of the Wiener Laboratory at the American School of Classical Studies in Athens, Dr Ioanna Moutafi, bio-archaeologist and senior researcher at the Wiener Laboratory, Emily Wright, field supervisor and PhD candidate in Archaeology at the ֱ̽ of Cambridge, and Professor Ann Brysbaert of the ֱ̽ of Leiden and Principal Investigator of the ERC project SETinSTONE. Some 25 students, specialists and workers helped in this year’s fieldwork.</p> <p> ֱ̽Prosilio project was conducted with permission from the Hellenic Ministry of Culture &amp; Sports and Ioannis Papadopoulos, the owner of the land. ֱ̽project was generously funded by, among other sources, the ֱ̽ of Cambridge (Faculty of Classics, the McDonald Institute, the Cambridge Humanities Research Grant scheme, and Sidney Sussex College), the Institute for Aegean Prehistory (INSTAP) and the British School at Athens.</p> <p><em>Inset images: entrance to Prosilio tomb 2; horse bits found with the burial (Yannis Galanakis).</em></p> <p> </p> </div></div></div><div class="field field-name-field-content-summary field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even"><p><p> ֱ̽discovery this summer of an impressive rock-cut tomb on a mountainside in Prosilio, near ancient Orchomenos in central Greece, will shed new light on Mycenaean funerary practices.</p> </p></div></div></div><div class="field field-name-field-content-quote field-type-text-long field-label-hidden"><div class="field-items"><div class="field-item even">Finding an intact burial, let alone in a monumental tomb of the palatial period, 1370-1200 BC, makes our discovery all the more special. </div></div></div><div class="field field-name-field-content-quote-name field-type-text field-label-hidden"><div class="field-items"><div class="field-item even">Yannis Galanakis</div></div></div><div class="field field-name-field-image-credit field-type-link-field field-label-hidden"><div class="field-items"><div class="field-item even"><a href="/" target="_blank">Yannis Galanakis</a></div></div></div><div class="field field-name-field-image-desctiprion field-type-text field-label-hidden"><div class="field-items"><div class="field-item even">Excavation of a Myceneaen tomb at Prosilio in central Greece, summer 2017</div></div></div><div class="field field-name-field-cc-attribute-text field-type-text-long field-label-hidden"><div class="field-items"><div class="field-item even"><p><a href="http://creativecommons.org/licenses/by/4.0/" rel="license"><img alt="Creative Commons License" src="https://i.creativecommons.org/l/by/4.0/88x31.png" style="border-width: 0px;" /></a><br /> ֱ̽text in this work is licensed under a <a href="http://creativecommons.org/licenses/by/4.0/" rel="license">Creative Commons Attribution 4.0 International License</a>. For image use please see separate credits above.</p> </div></div></div><div class="field field-name-field-show-cc-text field-type-list-boolean field-label-hidden"><div class="field-items"><div class="field-item even">Yes</div></div></div> Thu, 14 Sep 2017 09:18:59 +0000 amb206 191552 at Cracking the code: the decipherment of Linear B 60 years on /research/news/cracking-the-code-the-decipherment-of-linear-b-60-years-on <div class="field field-name-field-news-image field-type-image field-label-hidden"><div class="field-items"><div class="field-item even"><img class="cam-scale-with-grid" src="/sites/default/files/styles/content-580x288/public/news/research/news/121012-ventris-and-linear-b.jpg?itok=uUgElDLF" alt="Michael Ventris (left) and (right) a detail of the Pylos Tablet Ta641 inscribed with Linear B" title="Michael Ventris (left) and (right) a detail of the Pylos Tablet Ta641 inscribed with Linear B, Credit: Faculty of Classics, ֱ̽ of Cambridge " /></div></div></div><div class="field field-name-body field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even"><p>When during the early 20<sup>th</sup> century archaeologists excavated some of the most famous sites of Ancient Greece – notably Knossos on the island of Crete and Mycenae and Pylos on the mainland – they found large numbers of clay tablets inscribed with a type of script that baffled them. It was significantly different to any other script known at the time. Moreover, it was immediately clear that there were at least two variants of this type of writing.</p>&#13; <p>These scripts – characterised by about 90 different characters, and on the clay tablets interspersed with signs for numerals as well as the depiction of every-day objects and commodities such as pots, cloth and grain – acquired the name ‘Linear’. Linear because they were more abstract and characterised by a more linear style than the earlier hieroglyphic type of writing, also found on Crete. ֱ̽two variants were given the names Linear A and B. It was clear that Linear A was the earlier type, much rarer and restricted to the island of Crete. ֱ̽younger type B was found in significantly larger numbers and found at Knossos, Mycenae and Pylos. Since the original excavations evidence for the same type of writing has come to light at other places, including Thebes and Tiryns on the Greek mainland and Chania on Crete.</p>&#13; <p>Today scholars are gathering at Cambridge ֱ̽ for a conference marking the extraordinary story of the decipherment of Linear B, a narrative that brings together some of the 20<sup>th</sup> century’s most brilliant minds in the fields of not only classical archaeology but also specialist areas ranging from philology and epigraphy to experts on Greek religion and economy.  While celebrating what is often seen as the greatest advances in classical scholarship in the last 100 years, the scholars taking part are also looking at the challenges that remain in piecing together the story of the Mycenaean world, a civilisation known for its stunning art and complex and highly developed economy.</p>&#13; <p>In the wake of some of the most famous excavations in history, the classicists who put their minds to the tantalising puzzle of deciphering Linear B included the best-known names in the field. After the German scholar Heinrich Schliemann had excavated Troy (or a site compatible with Homer’s famous city) and Mycenae and thereby opened the door to Greek archaeology of the second millennium BC, the British archaeologist Arthur Evans discovered these inscribed tablets in large numbers at Knossos in the year 1900. Evans and other scholars knew that the tablets held the key to a fuller understanding of the Mycenaean civilisation. But deciphering what was inscribed on them seemed an impossible task, given that both the script and the language behind it were unknown.</p>&#13; <p>After many unsuccessful attempts by would-be decipherers from all over the world, it was a brilliant British amateur called Michael Ventris who was to prove pivotal in the unlocking of the secrets of Linear B.  Ventris was an extraordinary scholar, largely self-taught, with a phenomenal talent for languages. His first encounter with the script occurred when as a schoolboy he was shown some of the clay tablets found at Knossos by Arthur Evans.</p>&#13; <p>This chance meeting prompted a fascination that lasted right up until Ventris’s tragic death in a car crash in 1956. He set himself the task of working out the nature of the writing system and deciphering it. He worked largely alone on making sense of the script but circulated all his thoughts to the greatest scholars in the field in a series of “Work Notes on Minoan Language Research” while pursuing a career as an architect.  Then, on 1 June 1952, he sent around his Work Note 20 entitled, with typical modesty, “Are the Knossos and Pylos tablets written in Greek?”. Building on earlier work, notably by the American scholar Alice Kober, he had - through a combination of sober considerations, the development of a rigorous methodology, the ingenious integration of clues of very different kinds, brilliant assumptions and patient experimentation - singlehandedly deciphered the script.</p>&#13; <p>Much against his own original assumptions, Ventris was able to show, ever more clearly over the months that ensued, that the language behind the script was Greek – in his own words “a difficult and archaic Greek, but Greek nevertheless”. Lacking the necessary background in Greek philology and linguistics, in July 1952 he turned to John Chadwick, a newly-appointed lecturer in classics at the ֱ̽ of Cambridge, for professional support. Chadwick was an outstanding classical scholar who had worked on code-cracking in the Second World War. He helped to develop Ventris’s original decipherment and was able to elucidate the historical linguistic background and provided many interpretations of individual tablets.</p>&#13; <p>In this way, Cambridge soon became established as one of the world’s leading centres for Mycenaean studies and Dr Chadwick continued to work on Linear B right up to his death in 1998.</p>&#13; <p>“ ֱ̽decipherment of Linear B opened up, and indeed created, a whole new branch of scholarship. It added about 500 years to our knowledge of Greek, catapulting our understanding of early Greek history and society back into the second millennium BC, to the end of the Bronze Age at about 1200BC,” said Dr Torsten Meissner, organiser of today’s conference. “Suddenly the places of the figures of Greek mythology - like the legendary King Minos of Knossos or Homeric heroes like Nestor, king of Pylos, or Agamemnon, king of Mycenae – could be placed in a real setting through the clay tablets that record their administrative and political organisation.”</p>&#13; <p>Many parts of the jigsaw that is the Mycenaean world are still missing – for example the relationships of the various sites with one another. However, the ways in which Ventris and Chadwick worked across disciplines and specialisms laid the foundations for scholarship that is seeing the pieces come together, one by one.</p>&#13; <p>An exhibition displaying some of the unique documents relating to the decipherment of Linear B is on show in the Cast Gallery, Museum of Classical Archaeology, Faculty of Classics, from 13 to 20 October. Opening times:  Monday to Friday, 10.00am to 5.00pm. Saturdays in ֱ̽ term time only, 10.00am to 1.00pm. No charge for entry.</p>&#13; </div></div></div><div class="field field-name-field-content-summary field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even"><p><p>A conference in Cambridge this weekend will mark the 60th anniversary of the decipherment by Michael Ventris of Linear B, a script used for an early form of ancient Greek. His stunning achievement pushed back the frontiers of knowledge about the ancient world.</p>&#13; </p></div></div></div><div class="field field-name-field-content-quote field-type-text-long field-label-hidden"><div class="field-items"><div class="field-item even"> ֱ̽decipherment of Linear B opened up, and indeed created, a whole new branch of scholarship.</div></div></div><div class="field field-name-field-content-quote-name field-type-text field-label-hidden"><div class="field-items"><div class="field-item even">Dr Torsten Meissner</div></div></div><div class="field field-name-field-image-credit field-type-link-field field-label-hidden"><div class="field-items"><div class="field-item even"><a href="/" target="_blank">Faculty of Classics, ֱ̽ of Cambridge </a></div></div></div><div class="field field-name-field-image-desctiprion field-type-text field-label-hidden"><div class="field-items"><div class="field-item even">Michael Ventris (left) and (right) a detail of the Pylos Tablet Ta641 inscribed with Linear B</div></div></div><div class="field field-name-field-cc-attribute-text field-type-text-long field-label-hidden"><div class="field-items"><div class="field-item even"><p><a href="http://creativecommons.org/licenses/by-nc-sa/3.0/"><img alt="" src="/sites/www.cam.ac.uk/files/80x15.png" style="width: 80px; height: 15px;" /></a></p>&#13; <p>This work is licensed under a <a href="http://creativecommons.org/licenses/by-nc-sa/3.0/">Creative Commons Licence</a>. If you use this content on your site please link back to this page.</p>&#13; </div></div></div><div class="field field-name-field-show-cc-text field-type-list-boolean field-label-hidden"><div class="field-items"><div class="field-item even">Yes</div></div></div><div class="field field-name-field-related-links field-type-link-field field-label-above"><div class="field-label">Related Links:&nbsp;</div><div class="field-items"><div class="field-item even"><a href="https://www.classics.cam.ac.uk/">Faculty of Classics</a></div></div></div> Sat, 13 Oct 2012 06:00:31 +0000 amb206 26891 at