̽��ֱ�� of Cambridge - Nazi

Saving Turkey's Children

sjr81 — Fri, 12 Jun 2020 08:20:09 +0000

Exiled by Hitler, Albert Eckstein turned his medical expertise to saving Turkey's poorest children from the curse of infant mortality.

̽��ֱ��Channel Islands' victims and survivors of Nazi persecution

fpjl2 — Wed, 24 Jul 2019 09:23:59 +0000

A decade of research reveals the harrowing experiences of Channel Islanders persecuted by the Nazis during the Second World War.

Exhibition highlights the untold story of Nazi victims in the Channel Islands

sjr81 — Thu, 19 Oct 2017 11:18:26 +0000

On British Soil: Victims of Nazi Persecution in the Channel Islands, opens today at the Wiener Library for the Study of Holocaust and Genocide, London, and seeks to highlight the stories often omitted from the British narrative of ‘standing alone’ against Nazism and celebrations of the British victory over the Germans.

̽��ֱ��exhibition draws upon the Library’s wealth of archival material, recently-released files from the National Archives, personal items belonging to the victims themselves and current research from Dr Carr.

“For anyone who wants to come and learn about the last untold story of the German occupation of the Channel Islands, this is the exhibition to visit,” said Carr, a senior lecturer in archaeology at St Catherine’s College and the Institute of Continuing Education (ICE).

“ ̽��ֱ��Islands were the only part of British territory to be occupied and the victims of Nazism are almost entirely overlooked by those who prefer (incorrectly) to see the islands as a hotbed of collaboration. There are so many heart-breaking stories. We think of the Holocaust or Nazi persecution as something that happened only on the continent – but it happened on British soil. British citizens experienced the most horrific concentration camps, and Jews were deported from British territory to Auschwitz.”

From the experiences of a young Jewish woman living quietly on a farm in Guernsey and later deported to Auschwitz and murdered, to those of a Spanish forced labourer in Alderney, and the story of a man from Guernsey whose death in a German prison camp remained unknown to his family for over 70 years, the exhibition highlights the lives of the persecuted, and the post-war struggle to obtain recognition of their suffering.

Other exhibits going on display in London include a Christmas card made by a little girl and given to Frank Tuck from Guernsey as he suffered in Neuoffingen hard labour camp and a key of a prison cell from the notorious Cherche-Midi prison in Paris, belonging to Henry Marquand, deported for his role in sheltering two British commandos to Guernsey.

“ ̽��ֱ��search for these unknown stories continues,” added Carr. “ ̽��ֱ��exhibition coincides with the launching of a new website https://www.frankfallaarchive.org/ which is dedicated to finding and reconstructing the full journey of all deported Channel Islanders through various Nazi prisons and concentration camps. Theirs is the last untold story of the German occupation of the Channel Islands.”

Frank Falla, the Guernseyman after whom the archive is named, was a former prisoner and survivor of Frankfurt am Main-Preungesheim and Naumburg (Saale) prisons. In the mid-1960s, Frank took it upon himself to help his fellow former political prisoners in the Channel Islands get compensation for their suffering in Nazi prisons and camps.

In 2010, Frank’s daughter gave Gilly her father’s extensive archives – the most important resistance archives to ever come out of the Channel Islands – and the project was born. Falla’s briefcase, used to collect the testimony of those persecuted by the Nazis is also on display in London from today.

“I’ve been writing the background stories for the website of islanders deported to Nazi prison, concentration and labour camps,” added Carr. “So far I’ve written 75 out of 200 plus. Every story is a labour of love. I see each as a form of ‘rescue’. While I can never go back and rescue any of these people from their camps and prisons, I can rescue their story and experiences for their families and for the Channel Islands.”

Carr says the experience of researching these stories brings about a strangely bonding experience with her subject matter as she becomes a co-witness to the horrors they faced – and responsible for making their stories more widely known.

“Each person whose story I trace becomes a kind of ‘friend’ in a strange way. You get to know them so well and I have been lucky enough to meet many families of those deported. I feel I can be a link between the living and the dead and tell the living what the dead were never able to.

“I’m interested in hearing from anyone in the Channel Islands or further afield who had a family member sent to a Nazi prison or concentration camp from the Channel Islands to help supplement the journeys we have reconstructed from archival materials. Please contact me via the website with photos, documents and stories. I'd love to hear from you.”

On British Soil: Victims of Nazi Persecution in the Channel Islands until 9 February 2018, has been supported by the Heritage Lottery Fund.

̽��ֱ��untold stories of slave labourers, political prisoners and Jews who were persecuted during the German occupation of the Channel Islands during the Second World War will be revealed from today at a new exhibition co-curated by Cambridge’s Dr Gilly Carr.

Each person whose story I trace becomes a kind of ‘friend’ in a strange way. You get to know them so well.

GIlly Carr

Marianne Grunfeld was born in Poland to a German-Jewish family before taking a farm job in Guernsey in 1939. She was deported in 1942 and was murdered in Auschwitz

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Saved from the Nazis in 1938: Schnitzler archive to remain in Cambridge

sjr81 — Wed, 28 Oct 2015 09:00:27 +0000

Now, more than 75 years after it was spirited out of Austria under the noses of Nazis intent on burning and destroying Jewish cultural works, the papers of the man who inspired Freud, Kubrick and many others have been officially signed over into the care of Cambridge ̽��ֱ�� Library.

Following several months of discussions with the writer’s grandsons and surviving heirs to his estate, Michael and Peter Schnitzler, the agreement concludes a handover process that began in the 1930s before being interrupted by the onset of the Second World War.

Cambridge ̽��ֱ�� Librarian Anne Jarvis said: “Cambridge ̽��ֱ�� Library has always been proud of the role it played in saving the Schnitzler archive from certain destruction – and we are delighted to have reached agreement with the family to ensure that this unique collection remains in Cambridge and continues to benefit from the expert care and conservation it has received over the last eight decades.

“Arthur Schnitzler’s unique legacy continues to resonate and inspire, just as it has over the last 75 years. As one of the world’s great research libraries we are committed to making this fascinating archive available to as many people as possible.”

̽��ֱ��archive is currently being opened up to scholars and other interested readers by major edition projects in Austria, Germany and the UK. ̽��ֱ��German and UK projects will result in cutting-edge digital editions of works from 1905–1931, to be hosted, with open access, by the ̽��ֱ�� Library.

Andrew Webber, Professor of Modern German and Comparative Culture at the ̽��ֱ��’s Department of German and Dutch, leads the UK editorial team, funded by the Arts and Humanities Research Council. He said: “We are delighted that this agreement has been reached. In the Schnitzler papers, Cambridge has custody of a treasure of Modernist literary culture. ̽��ֱ��edition projects are already making remarkable discoveries as the teams of scholars decipher and analyse drafts and notes recorded in Schnitzler’s idiosyncratic handwriting. They promise an exciting new view of the works and the creative processes of this key figure.”

̽��ֱ��story of how Schnitzler’s archive came to Cambridge is a remarkable and complex one. Upon Arthur Schnitzler’s death in 1931, his estate remained in his Vienna house with his ex-wife Olga, who was considered his widow even though the couple had divorced in 1921.

By 1933, the works of Schnitzler and other Jewish artists were regularly being consigned to the flames of the Nazis’ book burning rallies across Germany. In March 1938, Germany invaded Austria and many prominent Jews were arrested and dispossessed.

Worried that they would come for Schnitzler’s papers, Olga Schnitzler asked an acquaintance in Vienna, a student from Cambridge called Eric Blackall, if he might be able to help save them.

On March 19, 1938, at her request, Blackall sent an urgent message to Cambridge ̽��ֱ�� Library to ask whether they would accept the more than 40,000 pages of Schnitzler’s literary archive. They agreed immediately, and a diplomatic seal was placed on the material before Blackall organised its shipment from Nazi-occupied Austria. More than a dozen cases and cupboards of manuscripts, sketches, notes, correspondence and even Schnitzler’s death mask made their way across Europe to Cambridge.

̽��ֱ��communications between Blackall and Cambridge, preserved in Cambridge ̽��ֱ�� Library, have the character of a spy novel, with Blackall referring to the urgent need to see that ‘mother’ (Olga) and ‘child’ (the archive) are safely dispatched to England.

Once both were safe in Cambridge, a legal document was drawn up and agreed between Olga and the Library in 1939, giving the archive to the ̽��ֱ��. However, Olga had neglected to notify the Library that she was not Arthur’s legal heir according to his last will. When her son, Heinrich, who was the sole heir and had emigrated to the United States, asked for the archive to be returned to him, the ̽��ֱ�� Librarian let him know that the papers had been given to the library by Olga and must remain there.

Olga herself left for the United States, taking some of the most personal artefacts (such as diaries and family letters) with her, with the blessing of the ̽��ֱ�� Librarian at the time.

Due to the outbreak of World War II, no further negotiations took place and Heinrich Schnitzler agreed to leave the archive in the custody of the Library, provided that he be given access to the archive and that microfilm copies of the papers were made.

Over the course of the following decades, the Library maintained a correspondence with Heinrich, who worked on his father’s papers, but the Schnitzler family remained owner of the archive. ̽��ֱ��agreement between CUL and Arthur Schnitzler’s grandsons puts to an end a legally awkward situation.

Schnitzler’s works provided the inspiration for Stanley Kubrick’s Eyes Wide Shut, David Hare’s ̽��ֱ��Blue Room as well as plays penned by Tom Stoppard. Taking love, death and human sexuality as frequent themes for exploration, Schnitzler’s works were controversial and were even denounced by Hitler as examples of ‘Jewish filth’.

̽��ֱ��archive in Cambridge also contains Schnitzler’s only surviving letter to friend and admirer Sigmund Freud as well as his correspondence with Theodor Herzl, the founder of Zionism and other leading artists and writers of the era – such as Henrik Ibsen, Richard Strauss and Gustav Mahler.

Saved from destruction by the Nazis and smuggled in secret to Cambridge, the rescue of author Arthur Schnitzler’s archive is as dramatic as any fiction he committed to paper.

Cambridge ̽��ֱ�� Library has always been proud of the role it played in saving the Schnitzler archive from certain destruction.

Anne Jarvis

Ferdinand Schmutzer

Arthur Schnitzler, 1912

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Cambridge Ideas - Forgotten Heroes

bjb42 — Thu, 31 Mar 2011 13:47:39 +0000

̽��ֱ��project they are working on aims to document the history of protest and resistance in the Channel Islands. She described the collection as: "the single most important resistance archive ever to emerge from the Channel Islands."

A Cambridge ̽��ֱ�� archaeologist, along with two other researchers in Guernsey, has uncovered a previously unseen archive featuring the testimonies of people who were deported to German prison camps during World War II.

̽��ֱ�� of Cambridge

St Peter Port harbour

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