ֱ̽ of Cambridge - baking /taxonomy/subjects/baking en Students help to turn 100-year-old bakery into thriving online business /stories/Fitzbillies <div class="field field-name-field-content-summary field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even"><p><p>Despite a few challenging years as a result of COVID-19, legendary Cambridge bakery Fitzbillies has emerged triumphant, with the help and insights of a group of students from Cambridge’s Institute for Manufacturing.</p> </p></div></div></div> Wed, 03 Aug 2022 08:03:53 +0000 lw355 233401 at Soft solids and the science of cake /research/features/soft-solids-and-the-science-of-cake <div class="field field-name-field-news-image field-type-image field-label-hidden"><div class="field-items"><div class="field-item even"><img class="cam-scale-with-grid" src="/sites/default/files/styles/content-580x288/public/news/research/features/cake-and-oil-rig.png?itok=xjP5av56" alt="" title="Credit: Divulgação Petrobras, ABr - Agência Brasil" /></div></div></div><div class="field field-name-body field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even"><p>What do cake batter and a massive, offshore oil drilling rig have in common? ֱ̽answer lies in a type of material known as a soft solid, which can behave either like a solid or like a liquid, depending upon the stress it is subjected to. Cake batter, molten chocolate, Marmite®, custard and the foamed concrete used in oil wells are all examples of these ‘dual personality’ materials.</p> <p>Soft solids are non-Newtonian fluids, which don’t adhere to the same rules as ‘normal’ liquids. Newtonian fluids – such as water or cooking oil – don’t change their behaviour as a result of how they have been handled, such as having been mixed or being left stagnant for days. For example, if a bowl of water is mixed for an hour at high speed, it will flow in exactly the same way at the end of the hour as at the beginning.</p> <p>Non-Newtonian fluids – such as custard, cake batter or foamed concrete – are different. Sometimes they behave like a solid, and sometimes they behave like a liquid. For example, move quickly and firmly enough and it’s possible to walk on custard. But stop moving, and you will start to sink. This is because custard gets thicker or thinner depending on the rate at which you try to move it. This is one way in which non-Newtonian fluids differ.</p> <p>However, the mechanisms that make soft solids distinctive in this way are complex and still not well understood, making it difficult for engineers to control their properties precisely. Being able to do so would open up a range of new opportunities, whether the goal is a fluffier cake or safer drilling for oil.</p> <p>There are a wide range of soft solid materials, many of which are present in your kitchen. Researchers in Cambridge’s Department of Chemical Engineering and Biotechnology are attempting to unravel how the structure of one type of soft solid – bubbly liquids – affects their properties, which may enable a far greater degree of control than is currently possible.</p> <p>“Non-Newtonian fluids are mysterious things, and being able to accurately control their properties has all kinds of practical implications,” says Professor Ian Wilson, who leads the research. “ ֱ̽connections between cake and concrete may not seem obvious at first, but the link is bubbles. It’s amazing how widely this type of soft solid is found – we also see them in the natural world, in things like magma. What we’re trying to do is to develop a simple method to describe a complex phenomenon, in order to get to the point where we can design these materials to do exactly what we want them to do.”</p> <p>When trying to lighten either a cake or cement, one answer is simple: fill it with air bubbles. In cake batters, this leads to a fluffier cake. In oil wells, it makes for lightweight cement which is used to fill in the gaps between the pipe and the rock to prevent oil and gas from escaping.</p> <p> ֱ̽fact that this approach is far from perfect was proven in disastrous terms when, in April 2010, an explosion at the giant offshore oil rig Deepwater Horizon in the Gulf of Mexico killed several workers and precipitated the largest accidental oil spill in the history of the oil industry. ֱ̽subsequent enquiry highlighted that something went wrong with the foamed concrete used, and its failure was one of a series of events that led to the explosion of the rig and the massive oil spill in the Gulf of Mexico which followed.</p> <p>For foamed concrete to work well, the bubbles have to be well distributed throughout the material, and they must remain stable so that they don’t collapse or combine into giant holes.</p> <p>Wilson and his colleague Dr Bart Hallmark have been working on a closely related, but slightly different, type of soft solid. In foamed concrete the base liquid is viscoplastic, whereas in many food products the base liquid is viscoelastic. Viscoelastic materials display both viscosity and elasticity when undergoing deformation. Adding bubbles increases the elasticity enormously – this is why cake batter climbs up your whisk when you are beating it. Much of the research in this area has focused on Newtonian base liquids, but in the food and other industries the base liquids are often viscoelastic.</p> <p>Starting with honey – a viscous liquid – the researchers investigated how the amount and size of the bubbles affected its behaviour, and then attempted to model that behaviour accurately. They then moved on to gum solutions, which are used to thicken sauces. ֱ̽researchers showed how the mathematical model for the base liquid behaviour – in this case, the Giesekus fluid model – responds to bubble addition.</p> <p>This gives researchers a tool to understand, predict and control the properties of these soft solids. For the food industry, this may make it easier to bake moist, fluffy cakes at an industrial scale, while the approach could also be used by the huge range of industries that use bubbly liquids in their processes and products.</p> <p>“By using a Giesekus model and changing the bubble size, we may be able to fine-tune the behaviours of bubbly liquids,” explains Wilson. “For food production, this may help determine how a formulation or process needs to be changed to make a better cake batter: what speed to beat it at, or how best to scale the recipe up to industrial quantities so that the end product has the right structure.”</p> <p>However, the ramifications of this research reach far beyond the world of cakes, due to the ubiquity of bubbly liquids and related soft solids. Although foamed concrete differs from honey – it starts off as viscoplastic rather than viscoelastic – the development of models that can accurately describe these soft solids will allow engineers to design and control them, and hopefully prevent them from going wrong.</p> <p><em>This research was originally funded by Premier Foods and developed further by a visiting Fellow, Dr Loly </em><em>Torres-P</em><em>é</em><em>rez</em><em>, courtesy of the Galician Council of Education and Culture and the European Union, and is currently funded by Schlumberger Cambridge Research.</em></p> </div></div></div><div class="field field-name-field-content-summary field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even"><p><p>Researchers hope that working out the behaviours of soft solids, which can act like either solids or liquids, may make for tastier cakes – and safer oil wells.</p> </p></div></div></div><div class="field field-name-field-content-quote field-type-text-long field-label-hidden"><div class="field-items"><div class="field-item even">It’s amazing how widely this type of soft solid is found – we also see them in the natural world, in things like magma. </div></div></div><div class="field field-name-field-content-quote-name field-type-text field-label-hidden"><div class="field-items"><div class="field-item even">Ian Wilson</div></div></div><div class="field field-name-field-image-credit field-type-link-field field-label-hidden"><div class="field-items"><div class="field-item even"><a href="/" target="_blank">Divulgação Petrobras, ABr - Agência Brasil</a></div></div></div><div class="field field-name-field-cc-attribute-text field-type-text-long field-label-hidden"><div class="field-items"><div class="field-item even"><p><a href="http://creativecommons.org/licenses/by/4.0/" rel="license"><img alt="Creative Commons License" src="https://i.creativecommons.org/l/by/4.0/88x31.png" style="border-width:0" /></a><br /> ֱ̽text in this work is licensed under a <a href="http://creativecommons.org/licenses/by/4.0/" rel="license">Creative Commons Attribution 4.0 International License</a>. For image use please see separate credits above.</p> </div></div></div><div class="field field-name-field-show-cc-text field-type-list-boolean field-label-hidden"><div class="field-items"><div class="field-item even">Yes</div></div></div> Wed, 24 Feb 2016 11:26:08 +0000 sc604 168212 at Can she bake? ֱ̽Bake Off back story /research/features/can-she-bake-the-bake-off-back-story <div class="field field-name-field-news-image field-type-image field-label-hidden"><div class="field-items"><div class="field-item even"><img class="cam-scale-with-grid" src="/sites/default/files/styles/content-580x288/public/news/news/141006-baking-in-yorkshire-mainimage.jpg?itok=6zNcQkHs" alt="Painting of a woman making oat cakes by George Walker (1781-1856)" title="Painting of a woman making oat cakes by George Walker (1781-1856), Credit: Wikimedia Commons" /></div></div></div><div class="field field-name-body field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even"><p>More than 10 million of us are watching it and we’ve bought the recipe books: once again Great British Bake Off has taken the nation by storm with the high drama of pastry, pies and profiteroles. But how many of us keep our households supplied with home-made bread and cakes, let alone have the skills to rustle up a perfect gooseberry tart or a faultless chocolate roulade?</p>&#13; <p>In his book <em>Cottage Economy</em>, first published in 1821, the reforming journalist William Cobbett laments the decline in baking. “As to the act of making bread, it would be shocking indeed if that had to be taught by means of books. Every woman high or low, ought to know how to make bread. If she does not, she is unworthy of trust and confidence: and indeed a mere burden on the community. Yet it is but too true, that many women, even those who get their living from their labour, know nothing of the making of bread.”</p>&#13; <p>Cobbett’ was a farmer as well as a writer. His purpose in writing <em>Cottage Economy</em> was to promote self-sufficiency in the rural labouring classes. Elsewhere in the book, he counsels readers to ensure that their daughters learn to bake in order to command a better wage as servants. “’Can she bake?’ is the question that I always put. If she can then she is worth a pound or two a year more.”</p>&#13; <p>Sophie McGeevor, a PhD candidate in the Faculty of History, is studying women’s work in mid-19th century England as part of a <a href="http://www.geog.cam.ac.uk/research/centres/campop/occupations/">major longitudinal study of employment</a>. In particular, McGeevor looks at the use of time, building a picture of the ways in which women divided their waking hours between paid and unpaid work as they carried out essential but often overlooked household tasks such as laundry, caring, mending and cooking. <img alt="" src="/files/inner-images/141006-smithsonian-making-homemaker-inset.jpg" style="width: 250px; height: 300px; float: right;" /></p>&#13; <p>She says: “What interests me about Cobbett’s writing is that in advocating self-sufficiency, he was calling for a way of life which was both home-based and incredibly time intensive – and which was, in many ways, incompatible with remunerative work available to women in this period.”</p>&#13; <p>Home baking was central to the kind of wholesome and resourceful domesticity that Cobbett promoted. It was an activity far removed from today’s image of baking as a fun and fulfilling hobby – and it was undertaken almost exclusively by women. McGeevor’s research into a collection of autobiographies held by the British Library shows that many households baked just once a week when the oven would be lit especially for the purpose. </p>&#13; <p>A batch of loaves that was fresh out of the oven on a Wednesday would be eaten stale by the following Tuesday. Heating an oven to exactly the right temperature for baking, and juggling the baking of various products, was an art. For many families, burnt or undercooked goods would be a disastrous waste of precious resources – ingredients, fuel and time - not simply a question of a petulant Bake Off binning.</p>&#13; <p>An autobiography written by Louise Jermy, who was born in 1877, illustrates just what an undertaking ‘baking day’ was for households adhering to what were already old-fashioned traditions. Sent from London to the country to recover from an illness, Louise describes her Aunt Anne baking once a fortnight, producing rabbit and hare pies, fruit tarts and batch cakes, as well as bread. All these are cooked in a brick oven heated by “three large faggots of thorns” … “when the oven is white hot it was scrapped out, and then mopped to clean the ashes and the door was fastened”.</p>&#13; <p>Notes made by Louise show the times involved in baking various items: batch cakes 1 ½ hrs; buns “about a quarter”; “sweet cakes and pies about one and a half to two hours”; “the large loaves were left for two and a half hours”. Such was the hard work and time involved in this task that Aunt Ann has made a neat arrangement with her daughter-in-law. ֱ̽two women bake on alternate weeks “whichever one baked would make a good supply of batch cakes, each sending fresh ones, exchanging every week so that we had some fresh bread”. </p>&#13; <p>A stove was not just expensive to heat but, in summer especially, it made a small house uncomfortably hot. Nellie Hoare, born in 1898, remembers: “There was a bakery not far from us and often I have taken a dough-cake Mother had made or a bread pudding and they would bake it. They would do this for anyone if it was taken in before nine in the morning and it could be fetched about three hours later for the price of one penny. People used to take more things to bake in the summer time as no-one wanted to keep up the fire enough for baking at home then. Of course we had to keep some sort of fire going at home winter and summer as we had nothing else to boil a kettle or do any cooking.”<img alt="" src="/files/inner-images/141006-cassells-household-guide-wiki-inset.jpg" style="width: 250px; height: 250px; float: right;" /></p>&#13; <p>It’s notable that at the end of the 19th century Louise’s aunt is making cakes and Nellie’s mother is sending her out with puddings to cook. Widespread evidence for working class consumption of baked sugary cakes and puddings cannot be found until the 15th century and they remained luxury items well into the 1800s.</p>&#13; <p>“Though labouring people had begun to consume sugar in increasing quantities over the course of the 18th century, it was generally eked out in weak tea and not used in everyday baking. It was not until the mid-19th century, with the push for free trade and the abolition of preferential duties for British Colonies beginning with the Sugar Duties Act of 1846, that a huge fall in the price of sugar made the eating and baking of cakes and biscuits more affordable,” said McGeevor.  </p>&#13; <p>“Today home bread-making is chiefly a matter of choice and privilege. It’s something people do as a leisure activity using a bread maker or a modern oven which heats up in minutes. In the 19th century, bread was the mainstay of the English diet, eaten several times a day, and baking was a heavy and laborious process.” </p>&#13; <p>A common misconception, however, is that all women made bread for their families. Women who worked outside the home would not have been able to spend a whole day baking. Families who lived in areas where fuel was expensive showed a preference for buying ready-made bread. </p>&#13; <p>Another big factor in the mix was fuel.  Baking in an oven required substantial quantities of wood and/or coal. Coal was cheap in areas close to coal fields but more expensive the further it had to be transported. So that even William Cobbett admitted that for families in London making their own bread might be uneconomic. <img alt="" src="/files/inner-images/141006-medieval_baker-inset.jpg" style="width: 250px; height: 250px; float: right;" /></p>&#13; <p>In the 1870s, a French engineer called Frederic Le Play made a detailed study of the daily life of more than 60 labouring families. Four of these families were English. Comparing the household budgets of two cutlers with similar sized households – one in London and the other in Sheffield – he showed that the Sheffield family consumed 6,150 kg of coal against the London family’s 4,064 kg, reflecting the cheaper prices of the north.</p>&#13; <p>“ ֱ̽disparity in coal prices may explain why the family in Sheffield made their own bread while the London family brought their bread from a baker,” said McGeevor. “ ֱ̽Sheffield cutler, his wife and three children consumed 1,272 lbs of flour per year which equates to at least three 2lb loaves each day, all baked by the cutler’s wife. This level of consumption seems staggeringly high to us but it fits with other evidence we have of per capita consumption of bread.”</p>&#13; <p>Regional cookery is shaped not just by availability of ingredients but also by the source of heat available to cook food on or in – and by the time that can be devoted to the task. “Many regional specialities originate from baking not in an oven but on an open fire. In peat-burning areas, bread and pies could be baked in cast-iron pots, known as Dutch ovens, which were placed in the ashes,” said McGeevor.</p>&#13; <p>“Oatcakes, griddle cakes, Welsh cakes and drop scones – as well as delicious pancake-like cakes still available in Derbyshire and Staffordshire – were cooked on a cast-iron griddle or bake-stones heated by an open fire. All these items are much quicker and less laborious to cook than bread – and they are cheap, tasty and filling.”</p>&#13; <p> ֱ̽Bake Off phenomenon draws heavily on a brand of cakes-as-comfort-food nostalgia that has little to do with reality. “Many of us have embraced home-baking as a result of the show and some of us are encouraged by memories of our grandmothers’ creations. We would, however, be mistaken to assume that home baking was part of women's lives for several generations before,” said McGeevor.</p>&#13; <p>“Women’s work has always been constrained by time and resources. How many of us would be enthusiastic about baking if we had first to light the oven with a pile of sticks and didn’t have the option of popping into a supermarket if it all goes wrong?”</p>&#13; <p><em>Inset images: image from household guide (Smithsonian Libraries); oven featured in Cassell's Household Guide (Wikia); medieval baker (Wikipedia)</em></p>&#13; <p> </p>&#13; </div></div></div><div class="field field-name-field-content-summary field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even"><p><p>As Great British Bake Off sizzles towards tomorrow’s final, historian Sophie McGeevor reveals the less glamorous realities that faced working class women in the mid-19th century when home baking was already considered a dying art. </p>&#13; </p></div></div></div><div class="field field-name-field-content-quote field-type-text-long field-label-hidden"><div class="field-items"><div class="field-item even">Today home bread-making is chiefly a matter of choice and privilege. It’s something people do as a leisure activity. In the 19th century, bread was the mainstay of the English diet, eaten several times a day, and baking was a heavy and laborious process.”</div></div></div><div class="field field-name-field-content-quote-name field-type-text field-label-hidden"><div class="field-items"><div class="field-item even">Sophie McGeevor</div></div></div><div class="field field-name-field-image-credit field-type-link-field field-label-hidden"><div class="field-items"><div class="field-item even"><a href="https://en.wikipedia.org/wiki/Oatcake" target="_blank">Wikimedia Commons</a></div></div></div><div class="field field-name-field-image-desctiprion field-type-text field-label-hidden"><div class="field-items"><div class="field-item even">Painting of a woman making oat cakes by George Walker (1781-1856)</div></div></div><div class="field field-name-field-cc-attribute-text field-type-text-long field-label-hidden"><div class="field-items"><div class="field-item even"><p> ֱ̽text in this work is licensed under a <a href="http://creativecommons.org/licenses/by-nc-sa/3.0/">Creative Commons Licence</a>. If you use this content on your site please link back to this page. For image rights, please see the credits associated with each individual image.</p>&#13; <p><a href="http://creativecommons.org/licenses/by-nc-sa/3.0/"><img alt="" src="/sites/www.cam.ac.uk/files/80x15.png" style="width: 80px; height: 15px;" /></a></p>&#13; </div></div></div><div class="field field-name-field-show-cc-text field-type-list-boolean field-label-hidden"><div class="field-items"><div class="field-item even">Yes</div></div></div> Tue, 07 Oct 2014 08:00:00 +0000 amb206 136242 at