探花直播 of Cambridge - Jon Lawrence
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enI鈥檝e been working like a dog: revisiting a 1960s study of the working class
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<div class="field field-name-field-news-image field-type-image field-label-hidden"><div class="field-items"><div class="field-item even"><img class="cam-scale-with-grid" src="/sites/default/files/styles/content-580x288/public/news/news/aharddaysnight.jpg?itok=GAte7lq1" alt="" title="London Picadilly Circus 1964, Credit: hdluckhardt (Flickr Creative Commons)" /></div></div></div><div class="field field-name-body field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even"><p>In the early 1960s two young Cambridge academics 鈥� John Goldthorpe and David Lockwood 鈥� embarked on a study of the newly affluent working class. 探花直播town they chose to carry out their research was Luton, home of Vauxhall Motors which then employed some 18,000 people. Goldthorpe and Lockwood wanted to capture how greater prosperity was reshaping class divides and their team of investigators interviewed nearly 300 workers, recording their responses to open-ended questions.</p>
<p>Transcripts of these interviews, together with the investigators鈥� field notes, are held by the UK Data Service at the 探花直播 of Essex. Fifty years on, they make compelling reading about an era more readily associated in the public imagination with the rowdy classlessness of sex, drugs and rock and roll than with the fine-tuned nuances of social status. What this remarkable snapshot of British life reveals about the ways in which the boundaries of social class are established, and how cross-class differences are navigated, is the subject of a paper by Cambridge historian Dr Jon Lawrence, published earlier this year by <em>History Workshop Journal</em>.</p>
<p>One of the classic hits of the mid-1960s, Lennon and McCartney鈥檚 <em>A Hard Day鈥檚 Night</em>聽is a聽bitter-sweet tribute to the pain and pleasure of ordinary working-class life seen from the male point of view. 鈥淎rguably the song is about exactly the issues that the men discuss in the Luton study 鈥� how they work hard to provide the good things in life, and how their shared domestic lives are their main reward - Lennon sings 鈥業 work all day to get you money to buy you things鈥�,鈥� said Lawrence. 鈥淎nd it鈥檚 significant that the Luton study focused exclusively on married men deeply invested in the idea of being the male provider.鈥�<img alt="" src="/files/inner-images/140710-vauxhall-vx4-90.jpg" style="width: 300px; height: 250px; float: right;" /></p>
<p> 探花直播men recruited for the study were interviewed first at work and then in their own homes alongside their wives. For these home interviews, success depended on the researchers establishing a rapport with their subjects. 探花直播investigators made notes about participants鈥� manners, the d茅cor and cleanliness of their houses, and the details of any refreshments offered, sometimes right down to the type of teapot and the way in which the sandwiches were cut.聽</p>
<p>One interviewer noted: 鈥淎t the end of the interview I was given a number of cups of tea in a newish tea service. It was served on a tray and I had an egg sandwich, which was cut into 4 diagonally.鈥� He then went on remark that his hosts: 鈥淒idn鈥檛 strike me as being conscious of any middle class strivings even though their house and their desire to pay for their son鈥檚 education certainly indicate an intention to get some of the good things in life.鈥� Half a century on, the sense of approval implicit in this judgement offers a fascinating glimpse of the sensitivity of the researcher鈥檚 class antennae.</p>
<p>In his essay, <em>Social Science Encounters and the Negotiation of Difference in early 1960s England</em>, Lawrence explores the ways in which the investigators carried their own deep-rooted perceptions of class 鈥� the 鈥榗lasses of the mind鈥� 鈥� into their interactions and how these judgments shaped their conclusions that British workers remained untouched by middle-class values and aspirations. It was a conclusion that provided scientific legitimacy to the Left鈥檚 rehabilitation of class politics in the aftermath of Labour鈥檚 surprise defeat in the 1970 election.<img alt="" src="/files/inner-images/140710-dainty-sandwiches.jpg" style="width: 250px; height: 250px; float: right;" /></p>
<p> 探花直播Luton study, which followed a pilot carried out in Cambridge, presented a considerable challenge to the research team of a dozen or more investigators, some of whom were recent graduates. 鈥� 探花直播working-class poor had long been accustomed to providing accounts of their lives to those with more power. Written records of these encounters are essentially transcripts that speak volumes about inequality. They give historians rich opportunities to explore the negotiation of class and power differentials,鈥� said Lawrence.</p>
<p>鈥淏ut cross-class encounters are not always so unequal. Once social investigators turned their attentions to the worker-citizens at the heart of the post-war vision for Britain, they were engaging with a fiercely independent culture summed up by the phrase 鈥榳e keep ourselves to ourselves鈥�. 探花直播lengthy questionnaire researchers used to gather their data covered workers鈥� lifestyles, attitudes and behaviour. It probed subjects on topics often considered taboo: child rearing, relations with family and neighbours, party politics and, above all, class.鈥�</p>
<p>Goldthorpe and Lockwood were keen to test 鈥� and disprove 鈥� the widely-held belief that prosperity was making British workers 鈥榖ourgeois鈥�, and this led them to spend much of the home interview probing attitudes to social class. Less used today in discussions of class, bourgeois was a label carrying with it a burden of upwardly-mobile pretention which grated with the notion that to be 鈥渨orking class and proud鈥� was to stand in the face of class snobbery.<img alt="" src="/files/inner-images/140710-happy-birthday-1960s.jpg" style="width: 300px; height: 250px; float: right;" /></p>
<p>Apparent from the transcripts of the Luton and Cambridge interviews is that the interviewers were acutely sensitive to the class symbolism of material culture, dress and social etiquette. 鈥淢any of the interviewers saw their task as to identify examples of the so-called bourgeois worker, and they meticulously recorded examples of workers who appeared to display middle-class taste. They were most likely to label as bourgeois, not those who shared their own taste but those they considered to be both status-conscious and aspiring,鈥� commented Lawrence.</p>
<p> 探花直播researchers drew heavily on the nature of their interactions with respondents when making these judgments: were respondents trying to impress or was their behaviour 鈥榥atural鈥� and lacking in pretention?聽 Interestingly, it appears that none of the researchers saw themselves as bourgeois.</p>
<p> 探花直播Luton study took place when sociology was only just emerging as a discipline in its own right 鈥� albeit one regarded with a fair degree of scepticism 鈥� and it was a field profoundly influenced by the methods of social anthropology. However, some of the notes made by the Luton researchers read as startlingly bald judgments about taste.聽 In describing a car worker鈥檚 house, one interviewer lamented a 鈥済arish side-board鈥� and a 鈥渞evolting vase and ewer of peach, gold and other colours.鈥� In contrast, another researcher remarked approvingly of the 鈥渄elightful coffee cups of chunky Scandinavian build鈥� observed in one Luton home.聽</p>
<p>One researcher declared of a clerk鈥檚 home: 鈥� 探花直播living room at the back was furnished in goodish petit-bourgeois taste.鈥� A visit to the 鈥渦pper middle鈥� home of a young teacher prompted the observation: 鈥淭aste perhaps a little shaky?? brass ornaments and a large photo of a poodle on the wall.鈥�</p>
<p>Observations made about the presence or absence of books and art in interviewees鈥� home reveal researchers鈥� sensibilities about working-class affluence. 鈥淭ime and again, one sees the investigators making distinctions between rational 鈥� and good 鈥� consumption made possible by rising living standards, and irrational 鈥� and bad 鈥� consumption driven by the status anxieties that advertising and the mass media played on,鈥� said Lawrence. 鈥淪uch thinking drew on the New Left鈥檚 critique on affluence: rising prosperity was not itself a problem, so long as workers did not become slaves to 鈥榝alse鈥� wants and the culture of 鈥榙isplay鈥�. Workers who shared the interviewers鈥� modern, non-conformist sensibilities were deemed free of bourgeois pretentions.鈥�<img alt="" src="/files/inner-images/140710-hideous-ornaments-1960s.jpg" style="width: 250px; height: 250px; float: right;" /></p>
<p> 探花直播researchers鈥� field notes reflect a growing awareness that their own theoretical assumptions were being undermined by what Lawrence describes as the 鈥渕essy complexity of qualitative research鈥�. After interviewing an ex-army couple, from who he elicited precious little, one of the investigators wondered whether the team鈥檚 theoretic model of class might be 鈥渟uffering from a fallacy of misplaced concreteness鈥�. Most people will construct their picture of the classes, but what they 鈥榮pontaneously recognise鈥� hasn鈥檛 much to do with reference groups鈥�.</p>
<p>Most striking was that few workers felt that the distinction between the shop-floor and the office (between 鈥渨orks鈥� and 鈥渟taff鈥�) had any meaning outside the factory despite being, for the researchers, the fundamental dividing line in the society of 1960s Britain.</p>
<p>Over the last decades, many politicians (most famously Margaret Thatcher) have argued that class is irrelevant. Lawrence, however, argues that there is still a need to talk about class 鈥� not least because a framing of society in crude and often cruel class terms (from self-obsessed Vicky Pollard to ineffectual Tim Nice-but-Dim) in popular media and beyond remains ubiquitous in modern Britain. What it means to be working class, and how class identity has changed over the past 50 years, is a theme he explored in a recent BBC Radio 4 programme called <a href="http://www.bbc.co.uk/programmes/b045z7s8"><em> 探花直播Unmaking of the English Working Class</em></a>.</p>
<p>Talking about the Luton study, Lawrence argued that: 鈥淚f we reconceptualise class in cultural terms, and see it as a malleable resource through which people construct claims about personal, familial and group identity, we can see how class runs through the interviews as a structuring presence. 探花直播fixity of the researchers鈥� emphasis on class images precluded capturing the inherent fluidity of class as a cultural resource. They hoped to find a thing, not explore a process.鈥�</p>
<p> 探花直播researchers went into the field with stronger preconceptions about what was bourgeois than what was proletarian. 鈥淭hey were clear that a new working class was in the making and in a sense set out to establish that it was making itself to its own blue print, not that of the conformist and judgemental English middle class. 探花直播鈥榗lass in the head鈥� for researchers was not the working class, traditional or new, but the traditional middle class 鈥� a class that many of them had shrugged off in their own lives in favour of the modern and meritocratic world of the new professions,鈥� said Lawrence.<img alt="" src="/files/inner-images/140710-hyacinth-bucket.jpg" style="width: 250px; height: 250px; float: right;" /></p>
<p>鈥淯nless workers presented themselves as aspiring Hyacinth Buckets, with her la-di-da airs and graces, they were unlikely to be labelled bourgeois 鈥� and for reasons that probably have more to do with gender than class, there were very few Hyacinth Buckets among Luton鈥檚 factory workers in the early 1960s. But there were plenty of men who found redemption in home life even if, being interviewed by Cambridge academics, few chose to give it the sexualised twist of Lennon鈥檚 lyrics - 鈥楤ut when I get home to you I find the things that you do/Will make me feel alright鈥�.鈥�</p>
<p><em>Inset images: Vauxhall VX4/90, dainty sandwiches, a birthday party, 1960s ceramics, Hyacinth Bucket (all Flickr Creative Commons)</em></p>
</div></div></div><div class="field field-name-field-content-summary field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even"><p><p> 探花直播Beatles' song A Hard Day鈥檚 Night was released 50 years ago today. Its runaway success in the charts overlapped with a major sociological study of the newly-affluent working class that features in Lennon and McCartney鈥檚 lyrics. Cambridge historian Dr Jon Lawrence discusses what this study reveals about perceptions of class identity in 1960s Britain.聽</p>
</p></div></div></div><div class="field field-name-field-content-quote field-type-text-long field-label-hidden"><div class="field-items"><div class="field-item even"> 探花直播researchers appear to have worked with strong existing ideas about class taste which were then mobilised not only to identify workers displaying signs of 鈥榖ourgeois鈥� pretension, but also to place all respondents into a broad class schema based on cultural markers. </div></div></div><div class="field field-name-field-content-quote-name field-type-text field-label-hidden"><div class="field-items"><div class="field-item even">Jon Lawrence</div></div></div><div class="field field-name-field-image-credit field-type-link-field field-label-hidden"><div class="field-items"><div class="field-item even"><a href="https://www.flickr.com/photos/10901789@N02/994225155/in/photolist-2vREv2-2Zke6x-36kFox-3aEzoj-3JET9x-3JK4hq-48ZGCz-4boWr4-4d2hbu-4hpcJh-4PpaLT-4VGfJo-4VMZfe-4VMZXe-4VN1Kn-4Yphek-54pHAb-54Fd7d-57kcjL-5apBw2-5dqZVX-5gHX9n-5DJ9R1-5PZQZm-5STWWK-64srGp-691Eck-6aQ255-6ksSHC-6mG55C-6CKAwD-6MAxef-6PiaC4-6QSnem-6RA4vc-6RA4BH-6T3C27-6UnKx6-74QGCh-76th1Q-77GpSP-77LjRm-7aLJSr-7aQyKh-7qqp8j-dPKuJT-97QjVq-7Pc9gT-7Pg7yf-7Pc5Up-7Pc8eR" target="_blank">hdluckhardt (Flickr Creative Commons)</a></div></div></div><div class="field field-name-field-image-desctiprion field-type-text field-label-hidden"><div class="field-items"><div class="field-item even">London Picadilly Circus 1964</div></div></div><div class="field field-name-field-cc-attribute-text field-type-text-long field-label-hidden"><div class="field-items"><div class="field-item even"><p> 探花直播text in this work is licensed under a <a href="http://creativecommons.org/licenses/by-nc-sa/3.0/">Creative Commons Licence</a>. If you use this content on your site please link back to this page. For image rights, please see the credits associated with each individual image.</p>
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</div></div></div><div class="field field-name-field-show-cc-text field-type-list-boolean field-label-hidden"><div class="field-items"><div class="field-item even">Yes</div></div></div>Thu, 10 Jul 2014 12:00:00 +0000amb206131002 at