探花直播 of Cambridge - Alexandra Walsham /taxonomy/people/alexandra-walsham en 探花直播Reformation is remembered /research/features/the-reformation-is-remembered <div class="field field-name-field-news-image field-type-image field-label-hidden"><div class="field-items"><div class="field-item even"><img class="cam-scale-with-grid" src="/sites/default/files/styles/content-580x288/public/news/research/features/burning-bodies-cropped2.jpg?itok=2aBf9eCu" alt=" 探花直播bodies of two Protestants, Martin Bucer and Peter Phagius, are burnt in Cambridge&#039;s market place, 1557" title=" 探花直播bodies of two Protestants, Martin Bucer and Peter Phagius, are burnt in Cambridge&amp;#039;s market place, 1557, Credit: Wikimedia Commons" /></div></div></div><div class="field field-name-body field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even"><p>On 31 October 1517, almost 500 years ago, an event occurred that sparked a religious schism across Europe, one that was to see Catholicism challenged not by outsiders but by insiders unhappy with what they perceived as the abuses and corruption of the medieval church.</p>&#13; &#13; <p> 探花直播nailing of Martin Luther鈥檚 95 theses聽to a church door in the small German town of Wittenberg is embedded in legend. Scholars now question whether this episode actually occurred. But there is no doubt that a movement took hold that changed the face of Christian belief and has left lasting legacies in our culture.</p>&#13; &#13; <p>To mark the anniversary of the Reformation, a team of historians from Cambridge and York Universities has been looking afresh at the ways in which the fragmentation of Christendom has been framed over the centuries 鈥揳nd the way belief intertwined with gender, politics and much more.</p>&#13; &#13; <p> 探花直播cross-curricular <a href="https://remref.hist.cam.ac.uk/">project</a> brought together historians Professor Alex Walsham and Dr Ceri Law from the 探花直播 of Cambridge and literary scholars Professor Brian Cummings and Dr Bronwyn Wallace from the 探花直播 of York. 探花直播researchers were able to draw on the remarkable archives and libraries of the two institutions plus Lambeth Palace Library.</p>&#13; &#13; <p>Both York and Cambridge are cities deeply affected by the Reformation. In Cambridge, <a href="https://remref.hist.cam.ac.uk/events/reformation-500">events </a>staged at Great St Mary's church this weekend will tell the shocking story of two foreign Protestant theologians who held academic posts in Cambridge during the reign of Edward VI. 探花直播disinterred bodies of Martin Bucer and Peter Phagius were publically burnt in Cambridge market square in 1557.</p>&#13; &#13; <p> 探花直播creation of an outstanding <a href="https://exhibitions.lib.cam.ac.uk/reformation/">online exhibition</a>, hosted by Cambridge 探花直播 Library, makes the pioneering work by the team鈥檚 scholars accessible to all. 探花直播exhibition breaks what is often regarded as a hard-to-grasp topic into accessible themes and, with the aid of stunning images, creates a vivid portrait of life, love and death in the 16th century and beyond.</p>&#13; &#13; <p>Walsham says: 鈥淥ur exhibition explores how the Reformation transformed traditional modes of remembering and involved concerted attempts at forgetting, as well as the ways in which it created a rich and vibrant memory culture of its own.鈥</p>&#13; &#13; <p> 探花直播Reformation was complex and far-reaching, taking the form of many Reformations. In simplest terms, it was an upheaval that shattered Catholic Europe and paved the way for separate movements and responses to orthodoxy.</p>&#13; &#13; <p>Luther was a university professor and preacher. His theses challenged a system called the sale of indulgences whereby people could reduce punishment after death for their sins and spend a shorter period in purgatory 鈥 a sort of 鈥榗learing house鈥 for heaven.</p>&#13; &#13; <p>Luther鈥檚 followers 鈥 Protestants 鈥 hit out at many of the rituals of medieval Christianity. Religion before the Reformation has been described as 鈥榓 religion of the body鈥. At the mass, all five senses came into play. 探花直播priest conveyed the mystery of the rite through a combination of different manual and bodily actions, including kissing the book and raising the host.</p>&#13; &#13; <p>For the laity, this visual experience was compounded by the sound of bells, the smell of incense, the sight of candles, the touching of hands, the taste of offerings, in a synaesthesia of devotion. Prayer was centred on bodily actions, whether of prostration or of counting prayers on a rosary.</p>&#13; &#13; <p> 探花直播Reformation called many of these actions into question by labelling them forms of 鈥榮uperstition鈥 and 鈥榠dolatry鈥. 探花直播Reformed liturgy of the Book of Common Prayer in 1549 abolished many aspects of bodily ritual such as the elevation of the host. And yet, the Protestant liturgy provided for scriptural ritual such as washing with water in baptism and laying on of hands in ordination.</p>&#13; &#13; <p>Protestantism also accepted kneeling as a sign of devotion or of penitence as well as signing with the cross as a sign of God鈥檚 covenant with his people. These actions continued to cause controversy and dissent throughout the 16th and 17th centuries. 探花直播1549 Book of Common Prayer still included an exorcism in baptism; but in 1552 it was removed.</p>&#13; &#13; <p>Religious change impacted profoundly not only on collective and national ways of viewing the past, but on the ways that individual men and women saw their own narratives and the ways in which they recorded the lives of their families and friends. Numerous real voices find a platform in the Remembering the Reformation exhibition.</p>&#13; &#13; <p>Family life was changing as Protestant clergy were allowed to marry. Among the voices that come through are those of Tobie Matthew and his wife Frances. An 18<sup>th</sup> century copy of a diary kept by Tobie Matthew records his preaching from 1583, when he became dean of Durham, to 1622. In this time he gave 1,992 sermons.</p>&#13; &#13; <p> 探花直播diary offers a rare and valuable insight into patterns and selections of sermon topics from the court to parishes. It contains glimpses of the personal as Matthew notes his movements, career and the illnesses and misfortunes that befell him. On 24 March 1603 he heads his entry with 鈥<em>Eheu! Eheu</em>!鈥 鈥 an expression of despair at the death of Elizabeth I.</p>&#13; &#13; <p>A document in the hand of Tobie鈥檚 wife Frances (1550/1-1629) reflects a deeply personal aspect of their lives. She lists for posterity 鈥 探花直播birthe of all my children鈥, including the place, date and time of birth, and details of godparents. She decided later to add the details of the deaths of the four out of six children who died before adulthood.</p>&#13; &#13; <p>In doing so, Frances created a poignant record of loss. Of her son, Samuell Matthew, she notes: 鈥淭his Samuell Matthew, my most Deerly-Beloved sonne, departed this life of Christianity the 15 of June 1601, and is buryed in Peeter-house in cambridge.鈥澛 探花直播phrase 鈥榯his life of Christianity鈥 is telling: belief was not just an adjunct to life but its central purpose.</p>&#13; &#13; <p> 探花直播document also bears testament to a phenomenon created by the Reformation: the clerical family. Frances was the daughter of a bishop and married into two episcopal families. Her first husband was son of Matthew Parker, the first Elizabethan archbishop of Canterbury. After he died, she married Tobie Matthew.</p>&#13; &#13; <p>Reformers celebrated the ideal of such 鈥榞odly鈥 families<em>. </em>But even such a strong Protestant pedigree as Frances鈥檚 brought no guarantees. Her son Toby (1577-1655) converted to Catholicism, much to the distress of both his parents. Religious differences were destined to continue to divide as well as unite.</p>&#13; &#13; <p>Walsham says: 鈥淧eople were deeply divided by faith as a result of the Reformation and memory was at the heart of the ways in which it fragmented society and challenged the ties of affection that bound families together. But remembering the medieval and Protestant past was also a mechanism for cementing powerful identities.鈥</p>&#13; &#13; <p>鈥<em>Remembering the Reformation鈥, an interdisciplinary and collaborative research project, is generously funded by the UK Arts and Humanities Research Council (<a href="http://rememberingthereformation.org.uk/">http://rememberingthereformation.org.uk/</a>).</em></p>&#13; </div></div></div><div class="field field-name-field-content-summary field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even"><p><p> 探花直播Reformation is famously traced to an event that took place in Germany 500 years ago and reverberated across Europe. An <a href="https://exhibitions.lib.cam.ac.uk/reformation/">online exhibition</a> paints a vivid portrait of a society undergoing profound change 鈥 and <a href="https://remref.hist.cam.ac.uk/events/reformation-500">free events</a> this weekend commemorate an episode of corpse burning in Cambridge.</p>&#13; </p></div></div></div><div class="field field-name-field-content-quote field-type-text-long field-label-hidden"><div class="field-items"><div class="field-item even">Our exhibition explores how the Reformation transformed traditional modes of remembering and involved concerted attempts at forgetting, as well as the ways in which it created a rich and vibrant memory culture of its own.</div></div></div><div class="field field-name-field-content-quote-name field-type-text field-label-hidden"><div class="field-items"><div class="field-item even">Alex Walsham</div></div></div><div class="field field-name-field-image-credit field-type-link-field field-label-hidden"><div class="field-items"><div class="field-item even"><a href="https://commons.wikimedia.org/wiki/File:Le_b没cher_avec_les_restes_de_Martin_Bucer_et_ses_livres.gif?uselang=fr" target="_blank">Wikimedia Commons</a></div></div></div><div class="field field-name-field-image-desctiprion field-type-text field-label-hidden"><div class="field-items"><div class="field-item even"> 探花直播bodies of two Protestants, Martin Bucer and Peter Phagius, are burnt in Cambridge&#039;s market place, 1557</div></div></div><div class="field field-name-field-cc-attribute-text field-type-text-long field-label-hidden"><div class="field-items"><div class="field-item even"><p><a href="http://creativecommons.org/licenses/by/4.0/" rel="license"><img alt="Creative Commons License" src="https://i.creativecommons.org/l/by/4.0/88x31.png" style="border-width: 0px;" /></a><br />&#13; 探花直播text in this work is licensed under a <a href="http://creativecommons.org/licenses/by/4.0/" rel="license">Creative Commons Attribution 4.0 International License</a>. For image use please see separate credits above.</p>&#13; </div></div></div><div class="field field-name-field-show-cc-text field-type-list-boolean field-label-hidden"><div class="field-items"><div class="field-item even">Yes</div></div></div> Fri, 27 Oct 2017 09:53:27 +0000 amb206 192722 at Q&A: how archives make history /research/discussion/qa-how-archives-make-history <div class="field field-name-field-news-image field-type-image field-label-hidden"><div class="field-items"><div class="field-item even"><img class="cam-scale-with-grid" src="/sites/default/files/styles/content-580x288/public/news/news/140324-archive-jp-ghobrial-resizedformain.jpg?itok=SVJ8uFby" alt="" title="Notarial document with the name of Elias in the left-hand margin, Archivo Hist贸rico Provincial de C谩diz, Credit: John-Paul Ghobrial" /></div></div></div><div class="field field-name-body field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even"><p>Archives unlock doors to the past. For the past seven years historian Dr John-Paul Ghobrial has been in pursuit of an extraordinary traveller called Elias of Babylon. Elias lived in the 17th century and journeyed from his birthplace in Mosul (Iraq) across Europe and as far as Peru and Mexico. Ghobrial鈥檚 research on the trail of Elias has taken him to archives in Europe, the Middle East and South America, as he has pieced together the clues left behind by Elias during his global adventuring.聽</p> <p>Ghobrial, a specialist in the early modern period at Oxford 探花直播, is among the speakers addressing an international audience at a conference聽later this聽week (9-10 April 2014) at the British Academy. 'Transforming Information: Record Keeping in the Early Modern World' will look at the ways in which our understanding of the past has been shaped by archives. Ghobrial will talk about Eastern Christians who, like Elias, started new lives in Europe in the 17th century.聽 Many used their linguistic talents to work as archivists and copyists of Middle Eastern manuscripts.</p> <p>Convened by three Cambridge 探花直播 historians, the two-day event will focus on an era that saw an explosion in record keeping as a result of a growth in literacy, burgeoning bureaucracy and advances in technology.聽 In many respects, there are parallels between this transformation and the information revolution taking place today as a result of digitisation.</p> <p>Speakers from Europe and the USA will share their expertise in fields as diverse as French feudal records, information gathering in early modern Japan, and the use and misuse of papers at the epicentre of the Spanish empire.聽 探花直播sessions will consider from multiple viewpoints how, and just as importantly why, the archives that underpin much of historical research came into being.聽</p> <p>Professor Alexandra Walsham, who is organising the conference with colleagues Dr Kate Peters and Liesbeth Corens, said: 鈥淲hen we examine an archive today in a library or online, we are seeing it stripped of the context that is so important to its meaning and significance. 探花直播creation, organisation, preservation and destruction of archives are never neutral or impartial activities: they reflects a society鈥檚 fundamental preoccupations and priorities.</p> <p>She continued: 鈥 探花直播conference will look at the major surge in record-keeping in the early modern world against the backdrop of wider technological, intellectual, political, religious and economic developments. It should not be assumed that an archive provides unmediated access to the past; rather record keeping practices fundamentally shape - and skew - our vision of history.鈥</p> <p>We asked ten of the conference participants to answer some key questions about archives with particular reference to the period 1500 to 1800.</p> <p><strong>1. What constitutes an archive in the early modern period?</strong></p> <p>Filippo de Vivo (Birkbeck, 探花直播 of London) replies:<img alt="" src="/files/inner-images/140318-cancelleria-superiore-de-vivo-resized.jpg" style="width: 250px; height: 250px; float: right;" /></p> <p>Today, we think of archives as repositories of sources for the use of modern historians. But they originated as working tools of organisations (large or small) that produced large amounts of documents in the course of their activities. In the early modern period, many institutions showed an increasing awareness of the importance of preserving those records as information (about something: for example, population size) or proof (of, and often against, something: for example, territorial boundaries). Far from neutral collections, they were instruments of conflict.</p> <p>As for their aspect and arrangement, think of cabinets, with chests and drawers 鈥 the word archive comes from the Latin arca, for box 鈥 but bags were also common. They were stacked at the back of offices with secretaries writing at their desks, and they increasingly occupied separate rooms; replete with documents bound or simply bundled together, they stretched back decades and even centuries. Some were neat and tidy, as indicated by this picture of the Venetian chancery 鈥 but others must have been decidedly messier, and we know that many different kinds of people went to archives to find out about legal precedents, fiscal duties, property rights, and so on: archives were full with people as much as papers.</p> <p><em>Image: Cancelloria Superiore, Venice</em></p> <p><strong>2. How is our understanding of history shaped by archives?<img alt="" src="/files/inner-images/140324-jesse-spohnholz-archive-resized.jpg" style="width: 250px; height: 250px; float: right;" /></strong></p> <p>Jesse Spohnholz (Washington State 探花直播) responds:</p> <p>In the early 19th century archives began to acquire a privileged status among the new academic historians; they were seen to offer the most direct access to voices from past centuries. For all the opportunities that archives offer, they structure and limit our understanding of the past. Consider the decision of what records to keep and what to set aside. From the Middle Ages, archives were established by political or religious institutions, whose officials aimed to preserve the authority of those institutions. Thus evidence in archives is not simply descriptive of the past, but prescriptive of how a people understood their present and wanted later generations to understand the past. One result is a privileging of male voices with the result that religion and politics look more male-dominated to us today than they may have been.</p> <p>Similarly, because state and church officials recorded and preserved records of their activities from their own perspective, historians have sometimes overemphasized the importance of centralised states and official churches in the pre-modern era, or have treated as marginal those people who those officials wanted to treat as marginal (so-called heretics or rebels). 探花直播actions of pre-modern record keepers have sometimes led historians to focus too much attention on kings, princes, magistrates, and clergy, and too little on the people who ignored, flaunted, deceived or skirted the attention of those institutions. By their very nature, archives align themselves with a side in past conflicts; and when historians use archives as representations of the past without considering the voices they intentionally excluded, they often inadvertently do much the same thing.</p> <p><em>Image: 18th-century inventory from a Dutch archive (Jesse Spohnholz)</em></p> <p><strong>3. How are archives created?</strong></p> <p>Arnold Hunt (British Library) writes:<img alt="" src="/files/inner-images/140324-scribeimage-resized.jpg" style="width: 250px; height: 250px; float: right;" /></p> <p>Archives grow and develop over time. They are the creation, not of a single person, but of a long succession of clerks, secretaries, archivists and curators who have reshaped and reorganised them.聽As a curator myself, I鈥檓 intrigued by the ways that the physical organisation of archives can affect 鈥 and sometimes obstruct 鈥 their use by historians. As the old saying goes: where do you hide a leaf? In a forest. Where do you hide a document? In an archive.</p> <p> 探花直播archives held at the British Library have often been rearranged in the course of cataloguing. Sometimes this is inevitable.聽 If an archive arrives in a suitcase, two cardboard boxes and a carrier bag, what do you do? You have to create some sort of order out of chaos. But by imposing 鈥榦rder鈥 on the archive we also impose meaning and interpretation. Until quite recently we used to organise correspondence according to a system that reflected (probably unconsciously) the British class structure: 鈥楻oyal Correspondence鈥 (the royal family), 鈥楽pecial Correspondence鈥 (the great and the good), and 鈥楪eneral Correspondence鈥 (everybody else). Nowadays we organise it by 鈥榝onds鈥 and 鈥榮ub-fonds鈥, but in 100 years鈥 time I daresay this system will seem equally quaint and arbitrary and our successors will wonder why we adopted it.</p> <p>I鈥檝e been trying to reconstruct some of the ways that early modern archives were originally organised 鈥 not an easy task, when the contents of the archives have been shuffled and reshuffled over the centuries. Secretaries played a crucial role in the making and storing of written records, but they are often shadowy figures whose intermediary role is only visible to us in the notes or 鈥榚ndorsements鈥 that they scribbled on the backs of letters as they filed them away. I want to bring these 鈥榠nvisible technicians鈥 to the centre of attention.</p> <p><em>Image: Johann Amos Comenius, Orbis sensualium pictus quadrilinguis (Cambridge 探花直播 Library)</em></p> <p><strong>4. Why were some records kept and others lost 鈥 and what can we learn from the gaps, silences and absences?聽</strong></p> <p>Kate Peters (Cambridge 探花直播) answers:<img alt="" src="/files/inner-images/140324-kate-peters-archive-resized_0.jpg" style="width: 250px; height: 250px; float: right;" /></p> <p>Most records were kept for the administrative purposes of the creating institution; the majority recorded transactions that either confirmed or exercised authority, or transferred resources. State records, and their keepers, therefore played an important role in the projection and maintenance of political power. My research explores this in the context of the political upheavals of the English civil wars.</p> <p> 探花直播collapsing authority of the Stuart monarchy is evident in the desperate attempts of Thomas Wilson, keeper of the State Paper Office, to control what was in his record office, and who could see it. Records considered 鈥榙isadvantageous鈥 to the king were destroyed or locked away. Parliamentary regimes in their turn asserted their authority through record-keeping, establishing statutory provision to access the king鈥檚 papers, and prohibiting the removal of records from London because it would be prejudicial to the estates of his subjects.聽Records of the hated prerogative courts were destroyed.聽 Parliamentary ordinances established registers of all estates and monies seized; by 1649, Levellers were calling for county record offices. Over the course of the English revolution state record keeping was transformed from a system by which the king鈥檚 authority was maintained, to one by which the rights of subjects, and later citizens, were asserted.聽</p> <p>Record-keeping was a deeply political act: decisions about what was kept and what was destroyed can tell us a great deal about changing notions of legitimacy and political participation.聽</p> <p><em>Image: Warrant from John Bradshaw, regicide and President of the Council of State in the republican regime asking for royalist papers to be sent to the State Paper Office 鈥榝or publique use鈥 (National Archives)</em></p> <p><strong>5. What can we learn about (and from) the organisation of archives?</strong></p> <p>Kiri Paramore (Leiden 探花直播) writes:<img alt="" src="/files/inner-images/140318-721_005_edo_kura_shoumen-paramore-resized_2.jpg" style="width: 250px; height: 250px; float: right;" /></p> <p>How an archive is organised helps us understand when, how, and by whom it was used. My research focuses on the Confucian knowledge systems of early-modern Japan. Confucian discourse and correspondence at that time linked senior shogunal officials with the outside world, but also with simple village teachers. So writings of shogunal retainers, for instance, regularly turn up in forgotten archives of private figures of little status in peripheral areas. After kicking in the door of an old rice store (kura) housing a rich, forgotten private archive in northern Japan last year, the first thing a colleague did was to take photographs of how that room had looked (and been organised) when it was sealed 200 years ago. This helps to understand how, and by whom, the archive had been used.</p> <p>Every archive has its own story. Archives of states are particularly interesting. For instance, the fact that military intelligence records are kept with anthropological or ethnological materials in academic archives of the Tokugawa Shogunate (1603-1868) indicates how that regime used such material. Short commentaries in vernacular language attached to each foreign (Chinese, Manchu, Dutch) document suggest this archive was created for the less educated but hereditarily more senior liege lords who were making real decisions about foreign relations.</p> <p>How different thematic folios were organised gives us an insight into the perceptions of the original compiler, but also of his state employer, and about issues of academic practice, civilisational categorisation (whether a country or culture was seen as 鈥榗ivilised鈥, 鈥榖arbarian鈥 or something in between), and the use of information during this time of rapid global transformation.</p> <p><em>Image: A typical Tokugawa period 鈥榢ura鈥 for rice storage (Kiri Paramore)</em></p> <p><strong>6. What archives are you using in your current research?</strong></p> <p>Jennifer Bishop (Cambridge 探花直播) responds:<img alt="" src="/files/inner-images/140318-ralph-robynson-court-bk-k-p7-jenniferbishop-resized_0.jpg" style="width: 250px; height: 250px; float: right;" /></p> <p>I am currently working with the records of the London Goldsmiths鈥 Company. 探花直播Company kept extensive records that cover every aspect of corporate life in the early modern period, from the regulation of trade and the assessment of skill, to the arbitration of personal disputes between goldsmiths and their friends, colleagues, and neighbours. 探花直播Company court minutes provide a rich source of information about the everyday activities and interactions of goldsmiths at all levels of the Company hierarchy. This detailed information allows us to reconstruct the personal and professional ties that bound company members together, and gave them a sense of communal and occupational identity, in the early modern period.</p> <p>These Goldsmiths鈥 records were written by the Company clerk, who was also responsible for their safekeeping: the court books were kept locked in a chest in the clerk鈥檚 room in Company Hall, and nobody could access them without his permission. 探花直播clerk occupied a unique position in the Company, both participating in and commenting on the practices and rituals of corporate life. These records may therefore be read not only as documentary evidence of official business, but as creative texts that reflect the personal concerns and habits of the clerks who wrote them. As such, the Company records highlight important intersections between the literary, social, and corporate spheres of early modern London.</p> <p><em>Image: Goldsmiths' Company court minutes book (October 1557) (Goldsmiths' Company)</em></p> <p><strong>7. What particular challenges do archives present to you as a researcher?</strong></p> <p>Liesbeth Corens (Cambridge 探花直播) writes:<img alt="" src="/files/inner-images/140318-thomas-braithwaite-of-ambleside-making-his-will-lakeland-arts-trust-corens-resized_1.jpg" style="width: 250px; height: 250px; float: right;" /></p> <p>One of the main challenges (but also delights) about research in archives is that they were and are precious to people. 探花直播sense of responsibility to protect the memory of past communities and individuals has motivated the creation, selection, and censoring of record collections across the centuries. This makes analysing an archive and its development revealing, as the motivations behind archives give us insights into the preoccupations of past communities. But sometimes the records are of such value 鈥 emotionally and materially 鈥 that access to them is restricted.</p> <p>In my research on English Catholics, I often handle documents which are to me interesting glimpses of past communities but for many Catholics are sacred relics and part of devotional cultures. These written relics are an explicit illustration of a much wider process in which records have significance other than mere records of past actions. These sensitivities have shaped what has been passed down across generations and how it is understood. Keepers protect both the materiality and interpretation of the records in their care: the fragility of records sometimes means they are not open for research or some elements of ancestors鈥 less virtuous past are not shown very easily. 探花直播negotiations between protecting and analysing the past are fascinating to study and a challenging but rewarding exercise.</p> <p><em>Image: Thomas Braithwaite of Ambleside Making His Will, 1607 (Lakeland Arts Trust)</em></p> <p><strong>8. What is the relationship between private and public record-keeping?</strong></p> <p>Heather Wolfe (<img alt="" src="/files/inner-images/140324-heather-wolfe-archive-resized.jpg" style="width: 250px; height: 250px; float: right;" />Folger Shakespeare Library) comments:</p> <p>There are lots of similarities between how public records and private evidences and personal papers were stored in early modern England, in terms of bags, boxes, chests, bundles, files, drawers, and labels. Archival principles of arrangement didn't exist - antiquarians and others complained about how disorganized and dirty and mouse-eaten the public records were, and then other people went in and tried to clean them up and make sense of them, and then other people borrowed them and neglected to return them, and then other people got frustrated and tried to have them returned, to no avail! Clerks and keepers were torn between keeping up with the vast amount of documentation being produced on a daily basis by a wide range of bureaucratic entities, and dealing with an overwhelming backlog - the same challenge that faces archivists today.</p> <p> 探花直播private papers, or muniments, of England's landed gentry, were typically easier to keep under control. Property deeds were arranged by county, and each property might be "defended" with centuries'-worth of deeds, in case ownership was ever contested. Bills and receipts were often bundled together, and large account books and pedigrees maintained and saved. Different families saved other kinds of personal documents in a range of ways.</p> <p>Some people saved their correspondence and personal papers, for example, or copied their letters into letter books and discarded the originals, while others burned or recycled them. Unless you came from a family with a long history in a single home with a "muniment" room, the chances of your papers surviving were pretty slim.</p> <p><em>Image: Bundles of archives from a private collection (Heather Wolfe)</em></p> <p><strong>9. How can we best facilitate access to archives?</strong></p> <p>Valerie Johnson (National Archives) suggests:<img alt="" src="/files/inner-images/magna_carta_british_library_cotton_ms_augustus_ii.106.jpg" style="width: 250px; height: 250px; float: right;" /></p> <p>Access to archives is a complex thing. When digitisation started coming in, it was widely seen as 'democratising the archive', and obviously, if something is digitised and available online, it massively increases access for those who might live hundreds or even thousands of miles away.聽 But what happens if that digitised document is in medieval Latin? Digitising it doesn't improve 'access' at all for most people:聽 they can't read the handwriting and even if they could, they can't understand the language.</p> <p>So some things that look like an easy fix, aren't.聽 And though digitisation is great for standard series like the census, putting material online can take the document out of context. Good cataloguing is in my opinion hugely important in opening up for others the potential treasure that might lie waiting to be uncovered within an archive.聽 And access to the physical archive remains important - most people still get a huge thrill from having the original record in their own hands, feeling that there is nothing to beat the touch (and sometimes the smell) of the real thing.</p> <p>But access to archives can only happen if there are archives to access - so the best way to facilitate access to archives is to value archivists, and their work.</p> <p><em>Image: Magna Carta (National Archives)</em></p> <p><strong>10. What has been your most memorable or frustrating 鈥榓rchive moment鈥?</strong></p> <p>Mary Laven (Cambridge 探花直播) reports:<img alt="" src="/files/inner-images/140324-marylaven2-resized.jpg" style="width: 250px; height: 250px; float: right;" /></p> <p>My most frustrating archive moment occurred after the publication of my first book: <em>Virgins of Venice: Enclosed Lives and Broken Vows in the Renaissance Convent</em>. I wanted to embark on a new project in an unfamiliar Italian city, and so I decided to spend a month in Parma in Northern Italy looking at what appeared from the archive catalogue to be an extensive collection of early modern criminal records. On day one I was told that these records were invisibili (literally invisible, or unseeable, though I think this was an archivist's euphemism for 'mislaid'). Resolution: never again shall I broach a new archive without corresponding first with the staff.</p> <p>More positively, I reckon my most memorable archive moment is about to happen. Yesterday I flew to central Italy with eight colleagues. We鈥檙e working on an ERC-funded collaborative project based in Cambridge: 'Domestic Devotions: 探花直播Place of Piety in the Renaissance Italian Home'. Our intention is to make a collective assault on the archives of the Marche. For the first time in my life this means that I'll be working alongside colleagues in a shared endeavour. Any problems with the palaeography? I'll ask one of the post-docs. Unsure what that devotional object was used for? My PhD student will know for sure. It's going to be bliss.</p> <p><em>Image:聽 Mary Laven and colleague examining documents in Macerata, Italy (Abigail Brundin)</em><br /> 聽</p> </div></div></div><div class="field field-name-field-content-summary field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even"><p><p> 探花直播early modern period (1500-1800) saw a surge in the keeping of records. A conference later this week (9-10 April 2014) at the British Academy will look at the origins of the archives that shape our understanding of history. We asked ten of the speakers to tackle some fundamental questions.</p> </p></div></div></div><div class="field field-name-field-content-quote field-type-text-long field-label-hidden"><div class="field-items"><div class="field-item even">Record-keeping was a deeply political act: decisions about what was kept and what was destroyed can tell us a great deal about changing notions of legitimacy and political participation. </div></div></div><div class="field field-name-field-content-quote-name field-type-text field-label-hidden"><div class="field-items"><div class="field-item even">Kate Peters</div></div></div><div class="field field-name-field-image-credit field-type-link-field field-label-hidden"><div class="field-items"><div class="field-item even"><a href="/" target="_blank">John-Paul Ghobrial</a></div></div></div><div class="field field-name-field-image-desctiprion field-type-text field-label-hidden"><div class="field-items"><div class="field-item even">Notarial document with the name of Elias in the left-hand margin, Archivo Hist贸rico Provincial de C谩diz</div></div></div><div class="field field-name-field-cc-attribute-text field-type-text-long field-label-hidden"><div class="field-items"><div class="field-item even"><p><a href="http://creativecommons.org/licenses/by-nc-sa/3.0/"><img alt="" src="/sites/www.cam.ac.uk/files/80x15.png" style="width: 80px; height: 15px;" /></a></p> <p>This work is licensed under a <a href="http://creativecommons.org/licenses/by-nc-sa/3.0/">Creative Commons Licence</a>. If you use this content on your site please link back to this page.</p> </div></div></div><div class="field field-name-field-show-cc-text field-type-list-boolean field-label-hidden"><div class="field-items"><div class="field-item even">Yes</div></div></div> Mon, 07 Apr 2014 09:00:00 +0000 amb206 124202 at