̽��ֱ�� of Cambridge - BBC

Sir David Attenborough's 'joy' on visit to Cambridge Conservation Initiative

plc32 — Fri, 27 Sep 2024 16:01:44 +0000

Sir David said of visiting CCI that he felt “an undercurrent of joy” whenever he came to the conservation campus, which is housed in the building bearing his own name.

̽��ֱ��campus was opened in 2016 and is the first of its kind, with over 500 conservation professionals and researchers, from 10 different organisations and the ̽��ֱ�� of Cambridge, all collaborating to stop the biodiversity crisis and build more hopeful futures for people and nature.

Read the full story: 'An Undercurrent of Joy'

Sir David Attenborough spoke of how he feels during visits to the Cambridge Conservation Initiative (CCI) when he stopped by the CCI conservation campus at the ̽��ֱ�� of Cambridge this week.

Cambridge Conservation Initiative

Photo of Sir David Attenborough on a visit to Cambridge Conservation Research Initiative

̽��ֱ��text in this work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. Images, including our videos, are Copyright © ̽��ֱ�� of Cambridge and licensors/contributors as identified. All rights reserved. We make our image and video content available in a number of ways – on our main website under its Terms and conditions, and on a range of channels including social media that permit your use and sharing of our content under their respective Terms.

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Submissions open for BBC National Short Story Award and BBC Young Writers’ Award with Cambridge ̽��ֱ��

Anonymous — Fri, 15 Jan 2021 12:14:44 +0000

̽��ֱ��BBC National Short Story Award is one of the most prestigious for a single short story, with the winning author receiving £15,000, and four further shortlisted authors £600 each. ̽��ֱ��stories will be broadcast on Radio 4 and published in an anthology by Comma Press.

̽��ֱ��2020 winner of the BBC National Short Story Award was Sarah Hall for ‘ ̽��ֱ��Grotesques’, a timeless and unsettling story set against a backdrop of privilege and inequality in a university town. This was the second win for Hall who also won the prize in 2013. Previous alumni of the award include Lionel Shriver, Zadie Smith, Hilary Mantel, Jon McGregor, Ingrid Persaud, Cynan Jones and Jo Lloyd.

̽��ֱ��writers shortlisted for the BBC Young Writers’ Award have their stories narrated by an actor, recorded for a BBC podcast, and published in an anthology. ̽��ֱ��winner of the 2020 BBC Young Writers’ Award was Lottie Mills for her story inspired by her experience of disability, ‘ ̽��ֱ��Changeling.’ Both winning stories are available to listen to on BBC Sounds.

This is the first year of a new three-year partnership with the ̽��ֱ�� of Cambridge, including Cambridge ̽��ֱ�� Library, the Faculty of English, Cambridge Institute of Continuing Education and for the first time, the Fitzwilliam Museum.

Dr Lisa Mullen from the ̽��ֱ��’s Faculty of English and Director of Studies at Downing College said: “ ̽��ֱ�� ̽��ֱ�� of Cambridge is delighted to be collaborating with the BBC again on these awards, and to support and nurture both new and established short-story writers.

“Stories are at the heart of our shared human experience, and Cambridge's Faculty of English, Institute of Continuing Education, the ̽��ֱ�� Library and Fitzwilliam Museum all have a special interest in how this dynamic form of fiction responds to a changing world.”

̽��ֱ��BBC National Short Story Award and BBC Young Writers’ Award are now open for submissions. Novelist and former Radio 4 Commissioning Editor for Arts James Runcie will chair the judging panel for the BBC National Short Story Award, an award that has enriched both the careers of writers and the wider literary landscape since its launch sixteen years ago.

Runcie said: “I am so delighted to chair the 2021 BBC National Short Story Awards. We need imaginative alternatives in these dark times: stories that question and surprise and open up new worlds.

“They can be short or long. They can take place in the past, present, future, or even all three at once. They can be set in a nutshell or in infinite space. But what I think we’ll be looking for is uniqueness of vision, a distinctive tone, curiosity, intrigue, surprise: an invitation to the reader’s imagination. I can’t wait to get started.”

Chair of the BBC Young Writers’ Award with Cambridge ̽��ֱ�� is BBC Radio 1 Presenter Katie Thistleton. She chairs the judging panel for the teenage award for the fourth time as it opens for submissions for the seventh year. Thistleton is a writer and the co-host of Radio 1’s Life Hacks and ̽��ֱ��Official Chart: First Look on Radio 1. ̽��ֱ��BBC Young Writers’ Award is open to writers between the ages of 14-18 years.

Thistleton said: “I’m really looking forward to chairing the BBC Young Writers’ Award with Cambridge ̽��ֱ�� again for 2021. As a keen writer myself, and someone who loved entering writing competitions when I was younger, I know how important and exciting this opportunity is.”

Runcie and Thistleton will be joined by a group of acclaimed writers and critics on their respective panels.

For the BBC National Short Story Award: Booker Prize shortlisted novelist Fiona Mozley; award winning writer, poet and winner of the Desmond Elliott Prize, Derek Owusu; multi-award winning Irish novelist and short story writer, Donal Ryan; and returning judge, Di Speirs, Books Editor at BBC Radio.

For the BBC Young Writers’ Award, Thistleton will be joined by bestselling, highly acclaimed Irish YA author, Louise O’Neill; twenty-year old singer-songwriter Arlo Parks; Sunday Times bestselling author and actor Robert Webb; and Guardian Children’s Fiction Award winner Alex Wheatle.

Full Terms and Conditions for the NSSA and YWA are available with submissions accepted online at www.bbc.co.uk/nssa and www.bbc.co.uk/ywa. The deadline for receipt of entries for the BBC National Short Story Award with Cambridge ̽��ֱ�� is 9am (GMT) Monday 15th March 2021. The deadline for receipt of entries for the BBC Young Writers’ Award with Cambridge ̽��ֱ�� is 9am (GMT) Monday 22nd March 2021.

̽��ֱ��shortlist for the BBC National Short Story Award with Cambridge ̽��ֱ�� will be announced on BBC Radio 4’s Front Row at 7.15pm on Friday 10th September 2021. ̽��ֱ��shortlist for the BBC Young Writers’ Award with Cambridge ̽��ֱ�� will be announced on Radio 1’s Life Hacks from 4pm on Sunday 19th September 2021.

̽��ֱ��stories shortlisted for the BBC National Short Story Award with Cambridge ̽��ֱ�� will be broadcast on BBC Radio 4 from Monday 13th to Friday 17th September 2021 from 3.30pm to 4pm.

̽��ֱ��announcement of the winners of the two awards will be broadcast live from the award ceremony at BBC Broadcasting House on BBC Radio 4’s Front Row from 7.15pm on Tuesday 5th October 2021.

Novelist James Runcie and broadcaster Katie Thistleton will chair the judging panels for the 2021 BBC National Short Story Award and BBC Young Writers’ Award with Cambridge ̽��ֱ��, and submissions are now open.

Stories are at the heart of our shared human experience, and Cambridge's Faculty of English, Institute of Continuing Education, the ̽��ֱ�� Library and Fitzwilliam Museum all have a special interest in how this dynamic form of fiction responds to a changing world

Dr Lucy Mullen

̽��ֱ��text in this work is licensed under a Creative Commons Attribution 4.0 International License. Images, including our videos, are Copyright © ̽��ֱ�� of Cambridge and licensors/contributors as identified. All rights reserved. We make our image and video content available in a number of ways – as here, on our main website under its Terms and conditions, and on a range of channels including social media that permit your use and sharing of our content under their respective Terms.

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Submissions open for BBC National Short Story Award with Cambridge ̽��ֱ��

sjr81 — Thu, 13 Dec 2018 15:31:35 +0000

̽��ֱ��BBC National Short Story Award is one of the most prestigious prizes for a single short story, with the winning author receiving £15,000, and four further shortlisted authors £600 each. ̽��ֱ��stories are broadcast on BBC Radio 4 and published in an anthology.

̽��ֱ��2018 winner of the BBC National Short Story Award was Trinidadian writer Ingrid Persaud, who won for ̽��ֱ��Sweet Sop, her ‘tender and ebullient’ story about a father-son relationship. Persaud’s 2018 victory was announced during a live broadcast of BBC Radio 4’s Front Row from Cambridge ̽��ֱ��’s West Road Concert Hall, with the winner of the 2018 BBC Young Writers’ Award with First Story and Cambridge ̽��ֱ�� also revealed, before a reception at Cambridge ̽��ֱ�� Library.

Previous alumni include Lionel Shriver, Zadie Smith, Hilary Mantel, Jon McGregor and William Trevor.

This year marks the 14th year of the award with broadcaster Nikki Bedi chairing the judging panel for 2019. Nikki is a television and radio broadcaster who writes and presents ̽��ֱ��Arts Hour on BBC World Service and BBC Radio London. Her counterpart on the BBC Young Writers’ Award with First Story and Cambridge ̽��ֱ�� (YWA) is BBC Radio 1 and CBBC’s Book Club presenter Katie Thistleton, who will chair the judging panel for the teenage award for the second time as it opens for submissions for the fifth year.

Bedi and Thistleton will be joined by an esteemed group of award-winning writers and artists on their respective panels. For the BBC National Short Story Award: novelist and writer of narrative non-fiction, Richard Beard; short story writer, novelist and youngest author to be shortlisted for the Man Booker Prize, Daisy Johnson; screenwriter, novelist and 2017 BBC National Short Story Award winner, Cynan Jones; and returning judge, Di Speirs, Books Editor at BBC Radio.

For the BBC Young Writers’ Award, Thistleton will lead former teacher and Betty Trask Award winner, Anthony Cartwright; Waterstones Prize and YA Bookseller Prize-winning writer, Patrice Lawrence; winner of the Waterstones Children’s Book Prize and British Book Awards Children’s Book of the Year children’s author, Kiran Millwood Hargrave; and writer, rapper and world-record breaking human beatboxer, Testament.

James Gazzard, Director of Cambridge’s Institute of Continuing Education, home to the Centre for Creative Writing, said: “Cambridge has produced great writers for many hundreds of years, and we look forward to discovering the new and diverse writers these awards give a voice to.

“This collaboration with the BBC and First Story contributes to the ̽��ֱ��’s and our Vice-Chancellor’s commitment of opening up Cambridge to all, to nurturing talent in new ways, while drawing on the unique teaching and academic environment that the ̽��ֱ�� famously provides. We were delighted with the numbers of writers who decided to take part last year. ̽��ֱ��success of First Story’s Young Writer’s Festival on our Sidgwick Site – as well as our own Short Story Festival at Madingley Hall – proved that the form is not only alive and well, but thriving.”

Nikki Bedi, Chair of the 2019 BBC National Short Story Award Judging Panel, said “ ̽��ֱ��short story is my favourite form of literature and there is nothing more delicious and perfect for me than devouring, digesting and loving a surprising and perfectly formed short story. From sneakily reading my parents’ copies of Roald Dahl’s dark works when I was far too young, I developed a taste for the form that has never left me.

"There are so many undiscovered voices and stories waiting to be told out there and we’ll be in the privileged position of receiving and reading them. I’m looking forward to works that transport me to new places, physically and culturally.”

̽��ֱ��writers shortlisted for the BBC Young Writers’ Award have their stories broadcast on a special Radio 1’s Life Hacks Podcast, and published in an anthology. Entrants can access a virtual treasure trove for writing inspiration courtesy of Cambridge ̽��ֱ�� Library’s specially curated digital archive. ̽��ֱ��winner of the 2018 Young Writers’ Award was 17-year-old Davina Bacon for her ‘compassionate’ and ‘intelligent’ story Under a Deep Blue Sky. ̽��ֱ��previous winners are Brennig Davies for Skinning, Lizzie Freestone for Ode to a Boy Musician and 2017 winner, Elizabeth Ryder for ̽��ֱ��Roses.

In addition, the BBC Student Critics’ Award with First Story and Cambridge ̽��ֱ�� (SCA) launches today and calls for applications. 2018 saw 600 16–18-year-old students from 40 schools flex their critical muscles as they read, discussed and critiqued the five shortlisted NSSA stories. For 2019, this activity is being extended to encourage wider community link-ups between schools, colleges, libraries and bookshops around the UK.

Full Terms and Conditions for the NSSA and YWA are available with submissions accepted online at www.bbc.co.uk/nssa and www.bbc.co.uk/ywa from 9am (GMT), 13th December 2018. ̽��ֱ��Terms and Conditions for the BBC Student Critics’ Award can be found here. The deadline for receipt of entries for the BBC National Short Story Award with Cambridge ̽��ֱ�� is 9am (GMT) Monday, 11th March, 2019. The deadline for receipt of entries for the BBC Young Writers’ Award with First Story and Cambridge ̽��ֱ�� is 9am (GMT), Monday, 25th March, 2019. ̽��ֱ��deadline for receipt of applications for the BBC Student Critics’ Award with First Story and Cambridge ̽��ֱ�� is 9am (GMT), Monday, 1st April, 2019.

̽��ֱ��shortlist for the BBC National Short Story Award with Cambridge ̽��ֱ�� will be announced on BBC Radio 4’s Front Row at 7.15pm on Friday, 6th September, 2019. Readings of the shortlisted stories will broadcast on BBC Radio 4 from Monday 9th to Friday 13th September and interviews with the shortlisted writers will air from Friday, 6th September, 2019 on Front Row. ̽��ֱ��shortlist for the BBC Young Writers’ Award with First Story and Cambridge ̽��ֱ�� will be announced on Radio 1’s Life Hacks from 4pm on Sunday, 22nd September, 2019.

̽��ֱ��announcement of the winners of the BBC National Short Story Award and BBC Young Writers’ Award will be broadcast live from the Award ceremony in BBC Broadcasting House on BBC Radio 4’s Front Row from 7.15pm on Tuesday, 1st October, 2019.

Booker Prize shortlistee Daisy Johnson and beatboxer Testament have today been announced as judges of the BBC’s National Short Story Award and Young Writers’ Award with Cambridge ̽��ֱ�� and First Story – as submissions for the 2019 competitions open.

Cambridge has produced great writers for many hundreds of years, and we look forward to discovering the new and diverse writers these awards give a voice to.

James Gazzard

2018 winner Ingrid Persaud accepts her award at the West Road ceremony earlier this year.

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Cambridge ceremony reveals the winners of BBC Short Story and Young Writers’ Awards

sjr81 — Tue, 02 Oct 2018 18:45:20 +0000

Announced this evening during a live broadcast of BBC Radio 4’s ‘Front Row’ from the ̽��ֱ��’s West Road Concert Hall, Persaud was presented with the £15,000 prize for a work described by judge and previous winner of the award, K J Orr as “tender and ebullient, heartbreaking and full of humour”.

Meanwhile, the winner of the 2018 BBC Young Writers’ Award with First Story and Cambridge ̽��ֱ�� was also revealed, before a reception for all the winning and shortlisted writers at Cambridge ̽��ֱ�� Library.

Davina Bacon from Cambridgeshire won with ‘Under a Deep Blue Sky’, a raw and emotionally powerful short story about a young African poacher and the brutal murder of a mother and baby elephant.

Chair of the National Short Story award judges and Editor of the TLS, Stig Abell said of Persaud’s work: “ ̽��ֱ��judges were unanimous in their praise for a story which keeps a consistency of voice without smoothing over the reality of genuine conflict. ̽��ֱ��relationship between Victor and Reggie, estranged father and son, who find solace in chocolate, is an utterly convincing and memorable one, a clever inversion of normal parental process.”

Dr Sarah Dillon, ̽��ֱ�� Lecturer in Cambridge’s Faculty of English said: “Many congratulations to Ingrid Persaud on winning, and with such a beautiful story. It was a pleasure to host the award ceremony at the ̽��ֱ�� and to celebrate all the shortlisted writers amongst the stacks in the ̽��ֱ�� Library.

“We hope that this is the beginning of an ongoing relationship between the writers and our students, especially those honing their craft at the ̽��ֱ��'s Centre for Creative Writing."

Davina’s winning story was inspired by her early life living in Africa and her passion for the environment, Her story was praised by author and judge William Sutcliffe as a ‘superlative piece of writing by any measure, regardless of the age of the writer’ and by fellow judge and actress Carrie Hope Fletcher, for its ‘compassion and intelligence’.

Citing Michael Morpurgo as an influence on her writing style and having recently read a lot of post-colonial literature including Chinua Achebe’s Things Fall Apart and Anthills of the Savannah, Davina Bacon’s winning story is inspired by her earlier years spent living in Malawi.

She said: “My story is based on Kasunga National Park where they have issues with poachers crossing the border from Zambia to kill elephants. ̽��ֱ��population has decreased rapidly and this is very worrying.”

‘Under a Deep Blue Sky’ available to read and listen to on the Radio 1 website, read by Don Gilet of the BBC Radio Drama Company. An interview with Davina will be available on the Life Hacks podcast from Sunday 7 October. Davina will also receive a personalised mentoring session with an author to enhance and further develop her writing skills.

Meanwhile, ‘ ̽��ֱ��Sweet Sop’ is available to listen to at www.bbc.co.uk/nssa, read by Leemore Marrett Junior.

Added Dr Dillon: “Congratulations to Davina Bacon on winning the 2018 BBC Young Writers' Award with First Story and Cambridge ̽��ֱ��. To capture in just 1,000 words a character's present, past, and perilous future is a feat for any writer, let alone one 17 years of age. Stories like this show just how powerful this form can be - hitting you hard and fast, haunting you for long after.”

This is the fourth year of the BBC Young Writers’ Award which invites 14 – 18 year olds to submit stories of up to 1,000 words. ̽��ֱ��award was launched as part of the tenth anniversary celebrations of the BBC National Short Story Award and aims to inspire and encourage the next generation of writers.

All five shortlisted writers spent the day of the award ceremony at Cambridge ̽��ֱ�� where they met Young Writers’ Award judge and fifth laureate na nÓg (Ireland's laureate for children's literature) Sarah Crossan for a writing workshop in Cambridge ̽��ֱ�� Library.

They were also given a private tour of ‘Virginia Woolf: An exhibition inspired by her writings’ at the Fitzwilliam Museum before attending the live award ceremony.

Trinidadian writer Ingrid Persaud, has won the thirteenth BBC National Short Story Award with Cambridge ̽��ֱ�� for ‘ ̽��ֱ��Sweet Sop’, her first short story about a young Trinidadian man reunited with his absent father via the power of chocolate.

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Funding announced for almost 400 new doctoral places in arts and humanities

sjr81 — Wed, 15 Aug 2018 10:45:43 +0000

̽��ֱ��Open-Oxford-Cambridge AHRC DTP is a consortium of the three universities for doctoral training and funding in the Humanities. ̽��ֱ��DTP is underpinned by world-class research and training environments, supported by strategic partnerships with the BBC World Service, the National Trust and British Telecom, and is national and international in mindset, and determined to take a leading role in shaping the future of doctoral training in the UK.

̽��ֱ��AHRC is the UK’s largest funder of postgraduate training in the arts and humanities, and plays an essential role in supporting the next generation of highly capable researchers. By working together, the AHRC, the Open ̽��ֱ��, and the Universities of Oxford and Cambridge are able to commit to investing in this partnership over its lifetime.

Professor David Rechter, incoming Director of the Open-Oxford-Cambridge AHRC DTP, said: “I am pleased by the success of our bid, and look forward to recruiting our first cohort of students next year. Supported by our partners the National Trust, the BBC World Service and British Telecom, the Open-Oxford-Cambridge DTP will offer students a wealth of opportunities to pursue research and engage in training, and to learn from each other as part of a large multi-disciplinary group. These opportunities will equip our DTP students with the research expertise and skills that will allow them to go on to wide range of careers in academia and beyond.”

Professor Martin Millett, Head of the School of Arts and Humanities at Cambridge, said: “ ̽��ֱ��success of this bid is excellent news. ̽��ֱ��unique collaboration between Oxford, Cambridge and the Open ̽��ֱ�� opens up exciting new prospects for the next generation of doctoral research students in the Arts and Humanities.”

Professor Edward Harcourt, the AHRC’s Director of Research, Strategy and Innovation, said: “ ̽��ֱ��AHRC is delighted to announce its renewed commitment to the Doctoral Training Partnerships model. Our support for the next generation of arts and humanities researchers is critical to securing the future of the UK arts and humanities sector, which accounts for nearly a third of all UK academic staff, is renowned the world over for its outstanding quality, and which plays a vital part in our higher education ecosystem as a whole.

“We were extremely pleased with the response to our call, which saw high-quality applications from across the UK from a variety of diverse and innovative consortia, each with a clear strategy and vision for the future support of their doctoral students.”

Professor Kevin Hetherington, Pro-Vice-Chancellor (Research and Academic Strategy), ̽��ֱ��Open ̽��ֱ��, said: “ ̽��ֱ��Open ̽��ֱ�� is delighted that the AHRC has chosen to recognise the commitment to innovation and diversity inherent in the Open-Oxford-Cambridge DTP, and looks forward to participating fully in the delivery of an exciting training programme for our PhD students.”

Professor Karen O’Brien, Head of the Humanities Division, ̽��ֱ�� of Oxford, said: “This is good news and an endorsement of our collective commitment to developing the next generation of Humanities scholars. We are looking forward to working with the Open ̽��ֱ��, Cambridge, the AHRC and our strategic partners to deliver a truly exciting opportunity to our consortium students.”

Stephen Cassidy, Chief Researcher, System Science, BT Labs, said: “As a communication company deeply rooted in the interaction between people, communities and businesses, BT sees great benefit in being part of this DTP. Interaction with the students and academics will extend our understanding of ethical, legal and social ramifications of the possible directions the industry as a whole could (and is) embarking on. These are issues of international scale, and we are pleased to link with the DTP and to provide further links with our research collaborations around the UK and the globe.”

Jamie Angus, Director, BBC World Service Group, said: “ ̽��ֱ��objectives of the Consortium and the Doctoral Training partnership fit very well with the BBC World Service’s objectives; ̽��ֱ��BBC World Service Group provides independent impartial journalism to nearly 350 million people around the world each week, across cultural, linguistic and national boundaries. We look forward to working with world-class doctoral students in the Humanities drawing on their research skills and subject expertise, as well as making the most of the huge range of languages studied at Oxford, Cambridge and the OU. Working together we will play our part so that the Consortium can provide DTP-funded students with skills and experience they need to communicate their ideas beyond academia so that they may be better able to reach a wider audience.”

Nino Strachey, Head of Research and Specialist Advice at the National Trust, said: “ ̽��ֱ��National Trust is delighted at the success of the bid and excited to work with students and staff from these internationally recognised universities and partners. With a long history of hosting and co-supervising PhDs, we look forward to offering opportunities for students to gain experience of the heritage sector and to work with Europe’s largest conservation charity.”

Information on how to apply for scholarships via the Open-Oxford-Cambridge AHRC Doctoral Training Partnership for entry in 2019/20 will be available from www.oocdtp.ac.uk from 1 September 2018.

̽��ֱ��Open ̽��ֱ��, the ̽��ֱ�� of Oxford and the ̽��ֱ�� of Cambridge are pleased to announce the success of their bid for funding for the Open-Oxford-Cambridge Arts and Humanities Research Council Doctoral Training Partnership, which will create nearly 400 new doctoral places in the arts and humanities.

̽��ֱ��unique collaboration between Oxford, Cambridge and the Open ̽��ֱ�� opens up exciting new prospects for the next generation of doctoral research students in the Arts and Humanities

Martin Millett

Sir Cam

Faculty of English on the ̽��ֱ��'s Sidgwick Site, home to many of the faculties and departments from the School of Arts and Humanities.

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̽��ֱ�� of Cambridge supports BBC Short Story Awards

ps748 — Wed, 27 Sep 2017 23:15:00 +0000

These awards highlight the BBC’s commitment to the short story form and to bringing it to a wider audience. ̽��ֱ�� ̽��ֱ�� of Cambridge will support all three of the awards and the charity, First Story, will become a partner for the BBC Young Writers’ Award and the Student Critics' Award. ̽��ֱ��partners replace BookTrust who have been working as a partner with the BBC since 2006.

Dr Sarah Dillon, lecturer in English Literature and Film at the ̽��ֱ�� of Cambridge, said

‘ ̽��ֱ�� ̽��ֱ�� of Cambridge has a rich heritage of investigating storytelling for eight hundred years and in that time we have produced many acclaimed creative writers including those who excel at the short story form such as A.S. Byatt, Helen Oyeyemi and Zadie Smith. ̽��ֱ��BBC shares more stories with more people than any other organisation in the world, and both organisations have an outstanding reputation for excellence and literary merit. ̽��ֱ��combined strengths of Cambridge and the BBC with First Story will make this a powerful and productive partnership.”

̽��ֱ��new partnership heralds an expanded programme of activity around the awards. A short story symposium will be hosted by the new ̽��ֱ�� of Cambridge Centre for Creative Writing at Madingley Hall, the Institute of Continuing Education’s campus. ̽��ֱ��symposium is aimed at new writers and anyone interested in short stories and creative writing and will include writing workshops and talks by established authors. Cambridge will host the 2018 prizegiving, with a special short story edition of the BBC Radio 4 programme Front Row which will be broadcast live from the ̽��ֱ�� Library. ̽��ֱ��Cambridge School of Arts and Humanities will also host First Story’s Young Writers’ Festival for 600 young people in 2018.

Bob Shennan, Director of BBC Radio, said:

“I’d like to warmly welcome both of our new partners as we continue to champion brilliant storytelling across the BBC, including these awards on Radio 1 and Radio 4. We are the biggest commissioner of short stories and these awards are very much part of our commitment to bring our listeners the best new writing both from established and emerging talent. We greatly appreciate the support of our new partners, and I’d also like to thank BookTrust for their work with us over the past decade.”

̽��ֱ��BBC Young Writers’ Award and the BBC Student Critics’ Award enhance the offering for young people, with the aim of inspiring the next generation of readers and writers of short stories. Entrants to the Young Writers’ Award will have the opportunity to write their own short stories inspired by a treasure trove of literary artefacts, as the Cambridge ̽��ֱ�� Library opens up its digital archives for writing prompts. Through the Student Critics’ Award selected 16–18 year olds around the UK will read, listen to, discuss and critique the five stories shortlisted for the NSSA and have their say. They will have access to discussion guides and teaching resources created with BBC Learning, and in-school events with writers, judges, First Story networks, and staff and students from the Faculty of English at the ̽��ֱ�� of Cambridge.

Di Speirs, Books Editor for BBC Radio said: “ ̽��ֱ��launch of our new three-way partnership with the ̽��ֱ�� of Cambridge and First Story is a hugely exciting moment. ̽��ֱ��BBC National Short Story Award and the BBC Young Writers’ Award have made a genuine difference to individual writers and to the literary landscape over the past twelve years. ̽��ֱ��Student Critics’ Award will foster a new generation of readers alongside our exciting plans for writers of all ages. We share with our partners a commitment to inspiring new writers and readers and to championing the very best short story writing in the UK.”

̽��ֱ��prizes for both the BBC National Short Story Award and the BBC Young Writers’ Award remain the same. ̽��ֱ��five writers shortlisted for the BBC NSSA will all be celebrated individually on Radio 4: as in previous years, the stories will be read on Radio4 and the authors will be interviewed on Front Row, followed by a live edition of the programme where the winner is announced. For the Young Writers’ Award, the shortlist will have their stories published on the BBC Radio 1 website and the winning story will be broadcast on Radio 1. ̽��ֱ��awards will open for entry in December 2017.

A creative writing course at the Institute of Continuing Education

̽��ֱ�� ̽��ֱ�� of Cambridge Centre for Creative Writing offers a wide range of part-time and short courses, from one-day classes right up to a part-time Master’s degree. Students from all backgrounds and levels of experience can take part. For more information about the Centre go to: www.ice.cam.ac.uk/centre-creative-writing

More information about the Awards can be found at: www.bbc.co.uk/nssa

̽��ֱ�� ̽��ֱ�� of Cambridge is partnering with BBC Radio to promote the BBC National Short Story Award, the BBC Young Writers’ Award and the BBC Student Critics’ Award in a three year collaboration starting in 2018.

̽��ֱ��launch of our new three-way partnership with the ̽��ֱ�� of Cambridge and First Choice is a hugely exciting moment

Di Speirs, BBC

Writing example

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App-based citizen science experiment could help researchers predict future pandemics

sc604 — Wed, 27 Sep 2017 14:17:21 +0000

̽��ֱ��most likely and immediate threat to our species is a global pandemic of highly infectious flu. Such a pandemic could be so serious that it currently tops the UK Government’s Risk Register.

Scientists from the ̽��ֱ�� of Cambridge and London School of Hygiene and Tropical Medicine are attempting to collect a gold standard data set that can be used to predict how the next pandemic flu would spread through this country - and what can be done to stop it. They need your help.

UK residents can take part in the BBC Pandemic experiment simply by downloading the Pandemic app onto your smartphone via App Store or Google Play from today.

̽��ֱ��app and results will be featured in a documentary on BBC Four in 2018, to be presented by Dr Hannah Fry and Dr Javid Abdelmoneim.

Data gathered via the app could be key in preparing for the next pandemic outbreak. In order to better understand how an infectious disease like flu can spread, researchers need data about how we travel and interact.

Two experiments will be conducted through the app: the National Outbreak, which is open to anyone in the UK from 27th September 2017; and the Haslemere Outbreak, a closed local study that is only open to people in the town of Haslemere, Surrey, and runs for 72 hours starting on Thursday 19th October 2017.

In the National Outbreak, the app will track your approximate movement at regular intervals over a 24 hour period – all data will be anonymised, so the app will not know exactly where or who you are. ̽��ֱ��app will also ask some questions about your journeys and the people you spent time with during those 24 hours.

All data collected will be grouped to ensure anonymity, and a research team from the ̽��ֱ�� of Cambridge and the London School of Hygiene and Tropical Medicine will use it to predict how a flu pandemic might spread across the country – and determine what can be done to stop it.

Professor Julia Gog, who specialises in the mathematics of infectious diseases, and her colleagues from Cambridge’s Department of Applied Mathematics and Theoretical Physics have helped design the experiment and will be processing the data, running statistical analyses, and building and running the pandemic models.

“This will give us a chance to explore a range of different scenarios,” said Professor Gog. “This could the best data set we’ve ever had on the movement of people in the UK, and could help support future research projects to control infectious diseases – for a researchers like us, this is incredibly exciting.”

There are flu outbreaks every year but in the last 100 years, there have been four pandemics of a particularly deadly flu, including the Spanish Influenza outbreak which hit in 1918, killing up to 100 million people worldwide. Nearly a century later, a catastrophic flu pandemic still tops the UK Government’s Risk Register of threats to this country. Key to the Government’s response plan are mathematical models which simulate how a highly contagious disease may spread. These models help to decide how best to direct NHS resources, like vaccines and protective clothing. But the models are only as good as the data that goes into them.

̽��ֱ��more people of all ages that take part in BBC Pandemic, the better that data will be.

By identifying the human networks and behaviours that spread a deadly flu, the app will help to make these models more accurate and, in turn, help to stem the next pandemic.

This project has been commissioned by the BBC, and is being undertaken in collaboration with researchers at the ̽��ֱ�� of Cambridge and the London School of Hygiene and Tropical Medicine.

More information is available at the BBC website.

A new app gives UK residents the chance to get involved in an ambitious, ground-breaking science experiment that could save lives.

This could the best data set we’ve ever had on the movement of people in the UK – for a researchers like us, this is incredibly exciting.

Julia Gog

BBC Pandemic

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Abandoned Liszt opera finally brought to life - 170 years later

sjr81 — Tue, 07 Mar 2017 00:01:43 +0000

David Trippett, Senior Lecturer in the Faculty of Music at the ̽��ֱ�� of Cambridge, first encountered the opera languishing in an archive in Weimar more than ten years ago. A trailer with extracts of the opera being performed can be seen by clicking on the link above.

Known only to a handful of Liszt scholars, the manuscript – with much of its music written in shorthand and only one act completed – was assumed to be fragmentary, often illegible and consequently indecipherable.

However, after Trippett spent the last two years working critically on the manuscript, a ten-minute preview will now be performed for the first time in public as part of the world-famous BBC Cardiff Singer of the World contest in June.

“In 1849 Liszt began composing an Italian opera, but he abandoned it halfway through and the music he completed has lain silently in an archive for nearly 170 years,” said Trippett. “This project is about bringing it to life for the very first time.”

“ ̽��ֱ��music that survives is breath-taking – a unique blend of Italianate lyricism and harmonic innovation. There is nothing else quite like it in the operatic world. It is suffused with Liszt’s characteristically mellifluous musical language, but was written at a time that he was first discovering Wagner’s operas.

“ ̽��ֱ��only source for this opera is a single manuscript containing 111 pages of music for piano and voices. It was always assumed to be impossible to piece together, but after examining the notation in detail, it became clear Liszt had notated all the cardinal elements for act 1. You have to think through the artistic decisions traceable in the manuscript and try to reconstruct the creative process, to see how Liszt’s mind went this way and that.”

A critical edition of the music for act 1 will be published by Editio Musica Budapest (Universal Music Publishing) in 2018. Although Trippett has worked alone on rescuing the music Liszt notated, Cambridge’s Francesca Vella has worked on deciphering the Italian text alongside musicologist David Rosen, whose principal role has been to translate the libretto into English.

̽��ֱ��libretto, based on Lord Byron’s tragedy Sardanapalus, tells the story of Sardanapalo, King of Assyria, a peace-loving monarch, more interested in revelry and women than politics and war. He deplores violence and brutality, and, perhaps naively, he believes in the innate goodness of humankind, but is overthrown by rebels and burns himself alive with his lover, Mirra, amid scents and spices in a great inferno.

A ten-minute scene from the opera will be performed at the final of the BBC Singer of the World event by Armenian soprano and rising talent Anush Hovhannisyan.

“In effect, the manuscript has been hiding in plain sight for well over 100 years,” added Trippett. “It was written for Liszt’s eyes only, and has various types of musical shorthand, with spatial gaps in the manuscript. A lot of it is very hard to read, but the scruffiness is deceptive. It seems Liszt worked out all the music in his head before he put pen to paper, and to retrieve this music, I’ve had to try and put myself into the mind of a 19th-century composer, a rare challenge and a remarkable opportunity.

“Fortunately, Liszt left just enough information to retrieve what was evidently the continuous musical conception he had at the time. We will never know exactly why he abandoned his work on the opera and I suspect he would have been surprised to learn that it is resurfacing in the 21st century. But I like to think he would have smiled on it.”

Ahead of the BBC event in June, Trippett and his colleagues are putting the finishing touches to a documentary film for the ̽��ֱ�� of Cambridge chronicling the resurrection of Liszt’s forgotten masterpiece, with singers Anush Hovhannisyan (soprano), Samuel Sakker (tenor) and Arshak Kuzikyan (bass-baritone). This will be released on 15 May.

“Who else gets to premiere a new opera by a superstar composer from two centuries ago?” said soprano Hovhannisyan. “It’s a once-in-a-lifetime opportunity and the entire process of making it work – from thinking about the character and what Liszt would want – has been a privilege. We have had a wonderful, deeply creative and imaginative time piecing this together and I feel very blessed to have been a part of it.”

An Italian opera by Franz Liszt – which lay incomplete and largely forgotten in a German archive for nearly two centuries – will be given its world premiere this summer after being resurrected by a Cambridge academic.

̽��ֱ��music that survives is breath-taking. There is nothing else quite like it in the operatic world

David Trippett

Abandoned Liszt opera brought to life

Tom Andrews/ ̽��ֱ�� of Cambridge

Anush Hovhannisyan (soprano), Samuel Sakker (tenor), and Arshak Kuzikyan (bass-baritone) record the trio finale with pianist and musicologist David Trippett, in Jesus College Chapel, ̽��ֱ�� of Cambridge

̽��ֱ��text in this work is licensed under a Creative Commons Attribution 4.0 International License. For image use please see separate credits above.

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