With the curtains just closed on the 40th Cambridge Greek Play since the 1880s, Greek classicist Simon Goldhill reflects on how this creative genre still speaks to a modern audience.
A 900,000-word eyewitness account of life in Restoration England, viewed as a 鈥渞ival鈥 to Pepys' diary but virtually forgotten since the 1700s, is being published for the first time.