̽��ֱ��

Youth leaders and world figures featured in new ActNowFilm, to premiere at COP28 call for young people to be included in national climate negotiation teams and global decision-making.

Study finds that just 8% of all depictions of AI professionals from a century of film are women – and half of these are shown as subordinate to men.

Cambridge ̽��ֱ�� Library archive reveals the facts behind the Hollywood myths of ' ̽��ֱ��Aeronauts'

One of Argentina’s and Latin America’s pre-eminent filmmakers begins a 16-day residency at Cambridge’s Centre for Film and Screen from tomorrow (May 5).

Hailed as “one of the most important artists in any medium”, the award-winning and Oscar-nominated Italian documentary filmmaker Gianfranco Rosi is coming to Cambridge this month as filmmaker-in-residence at Cambridge ̽��ֱ��’s Centre for Film and Screen.

An ambitious began last week with a discussion of a remarkable documentary. Filmed in a pioneering hospice, ̽��ֱ��Time to Die addresses a subject that remains taboo for many. Joining the conversation are health professionals, medical students and members of the public, as well as those interested in film and ethics. ̽��ֱ��series continues on 9 November 2016.

It’s black and white, silent and just short of ten minutes in length. But D.W. Griffith’s 1909 classic ̽��ֱ��Lonely Villa inspired Dr John David Rhodes, Director of Cambridge’s new Centre for Film and Screen, to look at the role and meaning of the house in American cinema.

̽��ֱ��anticipation is over: ̽��ֱ��Force Awakens is with us. To a self-confessed geek like Karen Yu from the Institute for Manufacturing, this is like all of her Christmases coming at once. It also raises some very important questions: what is the Force, how do you make a lightsaber – and does the new film finally put to rest the ghost of ̽��ֱ��Phantom Menace?

Over the past eight years, the ̽��ֱ�� of Cambridge has become Britain’s pre-eminent showcase for documentary and feature films from and about Ukraine. 

Kevin Greenbank, archivist at the Centre of South Asian Studies, explores the ways in which the home movie offers fascinating insights into the lives of those in front of, and behind, the camera – as rare footage of a 1935 Raj picnic shows.