Drawer of ammonoids from the Woodwardian collection, the founding collection of the Sedgwick Museum, dating to the late 17th and early 18th century

We ask the experts: why do we put things into museums?

26 November 2013

Our lives are bound up with objects. Museums are evidence of our deep preoccupation with the things that surround us, whether natural or the product of human endeavour. Why do we keep stuff, what do we learn from it – and what does our fascination for objects from our past tell us about being human today?

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Cambridge galleries, Museum of Archaeology and Anthropology

Museum of Archaeology and Anthropology shortlisted for Art Fund Prize

04 April 2013

̽»¨Ö±²¥Museum of Archaeology & Anthropology (MAA) has been announced as one of the ten finalists for the prestigious Art Fund Prize for Museum of the Year 2013. Celebrating the very best UK museums and galleries, it is the largest arts prize in the UK. ̽»¨Ö±²¥prize aims to reward and highlight innovation and creativity in bringing objects and collections to life.

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Panel of glazed bricks from the capital city of Assur, showing the Assyrian king Tiglath-Pileser (1114-1076 BC)

A new chapter opens in the study of the Assyrian empire

30 January 2013

̽»¨Ö±²¥first ever conference to focus on the provincial archaeology of the Assyrian empire took place at Cambridge ̽»¨Ö±²¥ last month. A key theme was the recent opening up of the Kurdish Autonomous Region – once at the hub of the empire – to archaeological enquiry.

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From fleece to the fibre of local identity: the man in the foreground wears a traditional Fair Isle jumper for working with sheep

Making the cloth that binds us: spinning, weaving and island identity

10 November 2012

Ben Cartwright, a member of Cambridge’s Material Culture Lab, is an archaeologist whose research focuses on the ways in which the crafts of spinning and weaving are embedded into the historic culture of the islands of the North Atlantic and remain an important part of island identity.

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