Samurai: History and Legend

World-class collections, never-before-seen treasures and samurai cats go on display in Cambridge

#ULSamurai

By Stuart Roberts

Treasures from one of the world’s most important collections of Japanese literature will go on public display for the first time at Cambridge ̽��ֱ�� Library from Saturday (Jan 22).

A warrior past reimagined in colourful 19th century publications. These vividly-printed yet tiny books were printed around the 1880s, looking back to the now obsolete samurai era. Over the course of the decade before, the samurai had been eliminated as a class.

A warrior past reimagined in colourful 19th century publications. These vividly-printed yet tiny books were printed around the 1880s.

Samurai: History and Legend is drawn from the world-class collections of Cambridge ̽��ֱ�� Library, home to one of the pre-eminent collections of Japanese material anywhere outside of Japan, including one of the first Japanese books ever to reach British shores.

Among the priceless treasures going on display for the first time is a seven metre-long scroll of the , a key Buddhist scripture in East Asia. Those with wealth and power showed their reverence for the sutra by sponsoring copies on the most precious materials available.

̽��ֱ��Lotus Sutra

̽��ֱ��Library’s Lotus Sutra scroll was produced in Japan about 800 years ago with each Chinese character painstakingly handwritten in pure gold. ̽��ֱ��paper itself was dyed with indigo and decorated with gold and silver.

The free exhibition, which runs from January 22 to May 28, 2022, explores the historic roots of the samurai and the literary image of the samurai in manuscripts and woodblock-printed books from Japan. The objects provide a contrast to familiar imagery and modern perceptions of the samurai that, especially in the West, have led to widespread misunderstanding of their social and cultural role in Japan.

Samurai were not only warriors. Life as a samurai was complex and multi-faceted, not all predicated on warriorship, samurai swords and battles. Some exhibition texts reveal the place of music and performance in samurai life or show samurai playing the flute.

This illustration suggests a musical side to the famous 12th century warrior Minamoto no Yoshitsune, depicted here playing the flute in his garden.

This illustration suggests a musical side to the famous 12th century warrior Minamoto no Yoshitsune, depicted here playing the flute in his garden.

Even the delicate art of flower arranging had deep ties to Buddhist practice and was part of samurai culture.

̽��ֱ��later objects in the exhibition are colourful and visually striking. During a long period of peace, Japan developed a publishing industry with books, maps, and games for commoners and samurai alike. This later print culture shows a playful irreverence toward the samurai.

̽��ֱ��exhibition includes a book depicting cats dressed as samurai complete with swords, and a board game in which the players throw a die to follow the life of a medieval warrior. There are also sketches by Hokusai, one of Japan’s most famous artists.

Samurai cats

This book, whose title Neko no shibai means ‘cat theatre’, features colourful illustrations of cats in costume, including cats dressed as Edo-period samurai with swords. ̽��ֱ��book was woodblock-printed between the 1870s and 1880s.

“ ̽��ֱ��image of a samurai warrior is iconic, both in Japan and overseas. However, the imagery we usually see is as much legend and mythology as it is history," said Exhibition Curator Dr Kristin Williams.

"We want visitors to question their assumptions about Japan while they explore and examine the rare books and objects in the exhibition. We may think of weaponry and armour when we think of samurai, but there was far, far more to their story.”

Going on display for the first time alongside helmets, antique children’s books, and a manuscript that passed flower-arranging techniques secretly between master and disciple, is Azuma kagami, one of the first Japanese books in Britain when it arrived around 1626. At the time, Japan was largely closed to foreigners.

In 1715, this single volume also became the first Japanese book in Cambridge ̽��ֱ�� Library. 

At first, it was misidentified as a Chinese manuscript and even bound upside down.  ̽��ֱ��language is Chinese, but it is a work of Japanese history, printed in Japan using an old style of wooden movable type.

Added Dr Williams: “ ̽��ֱ��hardest thing about curating this exhibition was choosing only 60 objects from a total collection of more than 130,000 Japanese items!

"Most people in the UK will have heard of samurai but only associate them with swords — the samurai image is so familiar but so distant from the real sources and stories. Hopefully, our exhibition will inspire people to learn more about Japan and to seek out the stories behind our stereotypes.”

Life of Yoshitsune: a board game of his meritorious deeds. Like the game of Snakes and Ladders, sugoroku is a board game that lets players rise or fall, depending on the numbers they roll on a die.

Life of Yoshitsune: a board game of his meritorious deeds.

Patterns of shoulder armour laces, compiled in 1798 and copied in a 19th century manuscript.

In the third month of 1795, shōgun Tokugawa Ienari hunted deer and wild boar in the fields of Koganehara, northeast of Tokyo. This was a rare event commemorated in art prints and multiple accounts. ̽��ֱ��last shogunal hunt at Koganehara had been in 1726, and the next would not be until 1849.

This beautiful woodblock dates from 1869 and reimagines an infamous 1703 night attack on the Edo mansion of Kira Yoshinaka by loyal samurai of the late Asano Naganori, intent on avenging their master's death.

̽��ֱ��attack took place in a time of peace when samurai rarely saw battle, and private vengeance like this was illegal. Asano's men killed Kira but were themselves sentenced to death.

̽��ֱ��vendetta inspired many theatrical retellings in the puppet and kabuki theatre, as well as more recent film adaptations. In this picture, its creator follows the way that the attack is depicted in the theatre, with heavy snow that would be unusual in Edo.

Dr Chris Burgess, Head of Exhibitions and Public Programmes at Cambridge ̽��ֱ�� Library said: “When Japan started a modern army in the 1870s, the samurai became obsolete – but the legends grew bigger than ever as books and prints spread far beyond Japan’s borders.

"Centuries of complex history were collapsed into the sort of memorable images of the samurai that we’re all so familiar with today.

“This exhibition asks visitors to examine, through the extraordinary books, manuscripts, and objects on display from our collections just what kind of samurai is revealed to us.”