Tomb Treasures from Han China

In the first exhibition of its kind, the Fitzwilliam Museum will relate the story of the quest for immortality and struggle for imperial legitimacy in ancient China鈥檚 Han Dynasty.

探花直播spectacular objects in this exhibition bring to Cambridge the finest treasures from the tombs of the Han royal family.

Dr Timothy Potts

探花直播Search for Immortality: Tomb Treasures of Han China (5 May-11 November) will feature over 350 treasures in jade, gold, silver, bronze and ceramics in the largest and most important exhibition of ancient royal treasures ever to travel outside China.

探花直播Han Dynasty established the basis for unified rule of China up to the present day. To maintain this hard-won empire the Han emperors had to engage in a constant struggle for power and legitimacy, with contests that took place on symbolic battlefields as much as on real ones. While written accounts provide an outline of these events, it is through the stunning archaeological discoveries of recent decades that the full drama and spectacle of this critical episode in Chinese history has been brought to life.

Dr Timothy Potts, Director of the Fitzwilliam Museum, commented: 鈥淚t is impossible to overstate the importance of the Han Dynasty in the formation of a Chinese national culture and identity. 听At the time of the ancient Romans, the Han emperors were the first to unify a large part of the regions we now know as China under a sustained empire, which they ruled virtually unchallenged for 400 years.

" 探花直播Han Dynasty gave its name to the Chinese language, its script and the vast majority of the Chinese people. 听It was arguably the defining period of China鈥檚 history and the point of genesis for the China of today.

" 探花直播spectacular objects in this exhibition bring to Cambridge the finest treasures from the tombs of the Han royal family, the superb goldwork, jades and other exquisitely crafted offerings the kings chose to be buried with on their journey to the afterlife. For their artistry, refinement and pure beauty they rival anything from the ancient world.鈥

This pioneering exhibition will compare the spectacular tombs of two rival power factions: the Han imperial family in the northern 鈥榗radle鈥 of Chinese history, and the Kingdom of Nanyue in the south, whose capital in modern-day Guangzhou formed the gateway to the rich trade routes of the China Sea and Indian Ocean.

Objects from these tombs have never before been displayed together as a single exhibition. Through the exhibition it is revealed how, in both life and in death, Empire and Kingdom played a diplomatic game of cat and mouse, one to assert its supremacy, the other to preserve its autonomy.

Protected by clay guardians and surrounded by jade and gold, the monarchs鈥 tombs were palaces fit for immortals. 听Each tomb was a symbol of power and majesty, designed to ensure that its owner continued to enjoy in the afterlife the same comforts and privileges afforded to them in life. 听In showing these two tombs together, 探花直播Search for Immortality sheds new light on a critical period of China鈥檚 early history. 探花直播exhibition will only be seen in Cambridge.

Curator of the exhibition, Dr James Lin, commented: 听鈥淚t is immensely exciting that we are able to compare these unique discoveries from two rival kingdoms for the first time in Cambridge, as the archaeology allows us to tell a story that textual evidence simply does not reveal.

"It is known from written records that the first Han Emperor and the first King of Nanyue vied with each other for power and legitimacy in southern China; this exhibition shows how the struggle to be known as 鈥榚mperor鈥 in the southern borderlands continued into the second generation of the Nanyue kingdom, an episode mostly passed over in the historical chronicles.

"Through a direct comparison of the tomb treasures from the Han imperial family with those of the second king of Nanyue, Zhao Mo, the exhibition shows how the latter鈥檚 funerary splendour continued to be styled on that of the Han heartland, often reaching the same level of exquisite artistry. This provides a new perspective on the Han period and how the imperial family continued to exert its influence, through both arms and art, to maintain control of their vast empire.鈥

Founded in 206 BC, the Han Dynasty followed the collapse and disintegration of the Qin Empire, which had been established only fifteen years earlier by China鈥檚 First Emperor, Qinshihuangdi. Except for a brief interruption in 9-25听 AD, the Han emperors were to rule much of China for the next 400 years until 220 AD.

Contemporaneous with the late republic and early Roman Empire, the Han is considered the 鈥榗lassical鈥 period of Chinese history and, at the time of the birth of Christ, was as great in population and power as the Romans. It saw the emergence 听of cultural values, ideologies and institutions which have remained central to Chinese identity ever since. During this period Confucianism, with its emphasis on loyalty to family and to the Emperor, was first adopted as the official ideology.

It was also then that rigorous state examinations for selecting civil servants on the basis of merit rather than hereditary status were first introduced. 听In China today 鈥楬an鈥 is often used interchangeably with 鈥楥hinese鈥: the language is referred to as the Han language 鈥 Hanyu; Chinese script as Han writing 鈥 Hanzi; and over 90% of Chinese nationals regard themselves as Han Chinese 鈥 Hanren.

Zhao Tuo, a former commander in the army of the First Emperor, established the independent 听state of Nanyue in 204 听BC. Its capital Panyu is modern-day听 Guangzhou (Canton) and was then, as now, a busy commercial port and an eastern terminus of the ancient maritime Silk Route.

In 196 BC Emperor Gaozu, founder of the Han Dynasty, sent an envoy demanding that Nanyue founding king, Zhao Tuo, submit to his authority. 听Zhao Tuo agreed and Nanyue was granted formal status as a vassal state of the Han Empire.

Yet only a year later, having gained the allegiance of two neighbouring states, Zhao Tuo declared himself Emperor. After two years of conflict, Zhao Tuo once more 鈥榮ubmitted鈥 to the Han ruler, though both he and his successors continued to style themselves 鈥楨mperor鈥 at home, using the lesser title of 鈥楰ing鈥 only in their dealings with the Han court.

探花直播exhibition compares the tomb of Zhao Mo, Zhao Tuo鈥檚 grandson and successor from the Southern Nanyue kingdom, with the astonishing finds from three of the major northern Han tombs of the kings of Chu, a branch of the imperial family that had been granted this kingdom by the emperor.

This is the first time such a comparison of the splendour and treasures of these two sets of rival tombs has been made.

探花直播exhibition will reflect the layout of the funerary goods within the tombs, giving a sense of what it would have been like to walk through one of these tombs for the first time: being met by tomb guardians, progressing into the principal chambers with pottery servants, musical instruments and other treasures, and finally coming upon the inner sanctum with the burials of the kings themselves. Highlights include:鈥⑻ two jade burial armour suits belonging to the rival rulers, painstakingly made from thousands of plaques of jade, sewn together with gold or silk thread

鈥⑻ lavish burial furnishings in jade thought to ward off demons or to serve the emperor in the afterlife, such as a jade cup to catch the morning dew that ensured immortality

鈥⑻ spectacular objects in gold, including imperial seals and exotically decorated belt buckles

鈥⑻ pottery soldiers and bronze weapons

鈥⑻ pottery dancers, musicians and servants

鈥⑻ unusual artefacts including a toilet and an early ginger grater.

探花直播Search for Immortality: Tomb Treasures of Han China has been made possible through the generous permission of China鈥檚 State Administration for Cultural Heritage, Art Exhibitions China, Xuzhou Museum and the Museum of the Mausoleum of the Nanyue Kings. 探花直播exhibition is part of the London 2012 Festival, a spectacular 12-week nationwide celebration from 21 June to 9 September 2012, bringing together leading artists from across the world with the very best from the UK.


This work is licensed under a . If you use this content on your site please link back to this page.