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Stanley Spencer is recognised as one of the most important British painters of the 20^th century.�� Born in Cookham, Berkshire in 1891, at the age of��17 he went to study at the Slade School of Art in London.�� ̽��ֱ��group of five works allocated to the Fitzwilliam were formerly in the collection of wood engraver Gwen Raverat, grand-daughter of Charles Darwin, who first met Stanley Spencer when they both enrolled at the Slade School in 1908.�� They became life-long friends, Gwen dubbing Spencer ‘Cookham’ in recognition of the affection Spencer held for his home village.

John Donne arriving in Heaven was painted by Spencer when he was still at the Slade aged 20.�� It was one of the most important works of his early career and was shown at the second Post Impressionist Exhibition (1912) where it was hung in the same gallery as works by artists including Matisse and Picasso.�� Spencer shows the poet crossing Widbrook Common; he passes four figures, each praying in a different direction to express the all-encompassing nature of Heaven.�� Spencer regarded the picture highly saying it came ‘more directly from my imagination than any I have ever done.’�� It is one of the first works where he sets a religious event in an English rural setting, a concept that would be a hallmark of many of his later great masterpieces.

Scrubbing Clothes and Making a Red Cross were painted in 1919 when Spencer had returned from the war.�� Originally he had been commissioned by the Ministry of Information to work up these war studies into paintings, but instead they inspired part of his decorations for the Sandham Memorial Chapel.���� Scrubbing Clothes depicts men of Spencer’s Field Ambulance Unit washing their clothes on boulders in the River Struma.���� Making a Red Cross shows the unit laying out a cross made of broken tiles and rocks as a recognition signal to aircraft.�� Both studies show his natural sense of design.

In 1932 Gwen Raverat proposed that Spencer paint decorative panels for two 10-foot semi-circular spaces over the doors of the Reading Room of the new ̽��ֱ�� Library, then under construction in Cambridge.�� Unfortunately Syndics of the Library could not afford the project; the sketch Builders of the Tower of Babel and the small oil painting Making Columns for the Tower of Babel were all that remain of this suggested commission.

̽��ֱ��five paintings join the Fitzwilliam’s fine collection of early 20th-century British paintings, which already includes eight paintings and four drawings by Spencer.�� ̽��ֱ��collection features some of Spencer’s most famous canvases; Love among the Nations (1935-36), Self-Portrait with Patricia Preece (1937), Self-Portrait (1939) and Love on the Moor (1949-1954).�� ̽��ֱ��institution is one of the most important places to study the artist outside London.����

̽��ֱ��works have been acquired for the nation through the Acceptance in Lieu scheme, administered by Arts Council England from the estate of Gwen Raverat and allocated to the Fitzwilliam Museum. Tax of £167,883 was settled by their acceptance.�� As their total value exceeded the liability on the estate, the Fitzwilliam Museum made good the difference of £308,117 with the help of generous grants from the Art Fund, the V&A Purchase Grant Fund and the Friends of the Fitzwilliam Museum. ��

Tim Knox, Director of the Fitzwilliam Museum commented: “ ̽��ֱ��five works by Spencer that have been added to the Fitzwilliam Museum’s collection greatly enrich our holdings of this interesting and very English artist. Moreover, they also have a strong Cambridge connection. We are grateful to the AIL Scheme for allocating these works to the Museum, and to the generous donors who supplied the additional funds needed to secure them.”

̽��ֱ��new acquisitions are now on display with other 20^th-century British works in the recently refurbished Gallery 1 at the Fitzwilliam Museum.

Sir Peter Bazalgette, Chair of Arts Council England said: “That these five works have been offered in lieu of inheritance tax and can now be permanently accessed by members of the public, means that important parts of our own history, society and identity are not lost, hidden in houses, but are part of an institution’s collection, open to interpretation and educating and inspiring people.”

Stephen Deuchar, Director of the Art Fund, said: “Stanley Spencer is one of the greatest British artists of the 20^th century and it is with great pleasure that we support the Fitzwilliam Museum's acquisition of this group of exceptional works. It is another example of the benefits of the government's Acceptance-in-Lieu scheme to UK museums, galleries, and their visiting public.”

̽��ֱ��five paintings are -��John Donne arriving in Heaven (1911),��Scrubbing Clothes (1919),��Making a Red Cross (1919),��Builders of the Tower of Babel (1933), Making Columns for the Tower of Babel (1933)